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Warlock (1959)

 -  Romance | Western  -  1 April 1959 (USA)
7.3
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Ratings: 7.3/10 from 3,120 users  
Reviews: 53 user | 19 critic

The town of Warlock is plagued by a gang of thugs, leading the inhabitants to hire Clay Blaisdell, a famous gunman, to act as marshal. When Blaisdell appears, he is accompanied by his ... See full summary »

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Title: Warlock (1959)

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Cast

Complete credited cast:
...
Johnny Gannon
...
Clay Blaisedell
...
Tom Morgan
...
Lily Dollar
...
Jessie Marlow
Wallace Ford ...
Judge Holloway
Tom Drake ...
Abe McQuown
...
Bacon
...
Curley Burne (as De Forest Kelley)
...
Skinner
...
Henry Richardson
...
Dr. Wagner
...
Petrix
Bartlett Robinson ...
Buck Slavin
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Storyline

The town of Warlock is plagued by a gang of thugs, leading the inhabitants to hire Clay Blaisdell, a famous gunman, to act as marshal. When Blaisdell appears, he is accompanied by his friend Tom Morgan, a club-footed gambler who is unusually protective of Blaisdell's life and reputation. However, Johnny Gannon, one of the thugs who has reformed, volunteered to accept the post of official sheriff in rivalry to Blaisdell; and a woman arrives in town accusing Blaisdell and Morgan of having murdered her fiance. The stage is set for a complex set of moral and personal conflicts. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Genres:

Romance | Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 April 1959 (USA)  »

Also Known As:

Shoot Out at Warlock  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)|

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

DeForest Kelley rather famously told an anecdote about the filming of this movie in his later years on the Star Trek convention circuit, about the time Princess Sofia of Greece was visiting the set and Kelley flubbed a scene by falling over a chair onto his backside and saying "Oh, shit," in front of the princess. Henry Fonda told him the following Monday not to worry about it because he had danced with the princess over the weekend and ascertained that she had no idea what "shit" meant. This did not stop Kelley from getting a standing ovation at the commissary when the cast and crew broke for lunch. See more »

Goofs

At around 1:12:20, Fonda is made to draw his gun, when he goes to put it back in the holster, he clearly misses the holster and gets it right on the second try. As a gunfighter he was obviously better at getting his gun out of the holster than putting it back. See more »

Quotes

Jessie Marlow: The men you posted are coming into town.
Clay Blaisedell: I thank you for warning me, but I've already heard.
Jessie Marlow: Why does it have to happen? Why do these things always have to end in bloodshed?
Clay Blaisedell: Ah, that's how things are, Miss Jessie. That's why I was hired... why you hired me.
Jessie Marlow: And so they'll come into town, and you'll shoot them all down dog-dead in the street, is that it?
Clay Blaisedell: Or them me.
Jessie Marlow: Or them you...
See more »

Connections

Referenced in Pastewka: Die Strategie der Schnecke (2006) See more »

Soundtracks

John Brown's Body
(uncredited)
Traditional
See more »

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User Reviews

 
Perhaps the best psychological western ever made
8 January 2001 | by (Padova, Italy) – See all my reviews

I consider "Warlock" the best psychological western ever made. The main purpose of the movie is to draw a thorough inner design of the characters; nonetheless there is (happily) plenty of action and gun-fights, with no lowering of strain or moments of bore. As a matter of fact, important sides of the psychology of the male characters are represented through their attitude in violent action.

Clay (Henry Fonda) is a cool-headed gunslinger who, somewhat hypocritically, deludes himself to be fair since he kills people following "the rules". And it's a bit disappointing to see that people like and trust him mainly because he is handsome and well-mannered. However, Clay doesn't like violence and has noble sides, as shown when he stops a lynching.

Morgan (Anthony Quinn) is more honest in his self- judgment: he knows to be an assassin, who solves any possible problem caused by other people by simply killing them. There is a single important thing in his life, which he is even too ready to die for: his friendship-love toward Clay. Johnny (Richard Widmark) is the repented outlaw who has had the strength to quit a life of crime. He is naturally fair and non-violent, yet he knows when it's necessary to draw the six-shooter, for his own honor and moral code, and to protect innocent people. McQuown (Tom Drake) is just a loathsome, treacherous coward, who never face a duel without an accomplice ready to shoot his opponent in the back.

Of course, the main theme of the movie is Morgan's morbid affection for Clay. This totally absorbing love is masterly represented in the movie, in a crescendo of intensity, finally showing Morgan close to sheer madness. Reasonably enough, most critics have inferred a homosexual love in the relationship between Morgan and Clay. I'm not much Freudian and I have no tendency to find sex everywhere. I think that the director Dmytryk has made a deliberately exasperated, unconventional representation of the manly friendship, a classical motive in western movies. Here we have two adventurers, two gunslingers who deeply understand each other's feelings. Women (saloon-girls) are good for fun, and that's all: a real friendship is something completely different, extraneous to the feminine mentality. And deep friendship can be more jealous than love. In fact, Morgan begins to suffer when he realizes that Clay has found a true love, a coming spouse in Jessie (Dolores Michaels): he's not just infatuated by some meaningless, cheap girl. Morgan's natural, psychologically exact reaction can only be a brutal interference.

The preceding theme of the movie is really so interesting that one could miss to notice how beautifully treated is the psychology of all other characters. Let me focus and make some comments on Lily (Dorothy Malone), the cynical, life-tired former saloon-girl, devoted to a revenge against Clay, which she visibly makes a point of, without being really convinced of the sense of adding violence to violence. Malone is perfect for the role. Her charming beauty make us fully believe that both Clay and Morgan were once infatuated with her. And her splendid, sad, stern yet ironic eyes describe the weariness of her inner core more effectively than words. Lily has a pair of my favorite lines. "How could I love you... a cripple!", showing her capacity to wound her hated enemy Morgan, where it most hurts. "What do you want? A whole life in one night?": Lily loves Johnny, who is going to face a mortal duel, yet she's unable to check her spiteful irony, to get rid of her own former wasted life, showing herself worse than she actually is. And, moreover, she can't stand these preposterous honor codes of men killing each other, and for what? Really great stuff!

Other merits of "Warlock": the perfect script, the accurate photography, the magnificent locations. The acting by Fonda, Quinn, Widmark, Malone is superb, to say the least: that's exactly what we expect from them. The final clash between Fonda and Quinn is a powerful piece of cinema. Splendid movie, highly recommended (even to people not fond of westerns).




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