A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi. Written by
Did You Know?
[According to cinematographer Kazup Miyagawa] 'I'll never forget that, from the first day on, he knew the names of everybody on the set [[ fifty people in the crew, people he'd never worked with. He'd written their names down, I learned later. But everyone was impressed and became devoted to him. Every single day working on this film was extremely pleasurable and enriching. In each of Ozu's films you can sniff his personality. He was pure, gentle, light-hearted, a fine individual.' See more
Near the end, sandals disappear or move around: after Kiyoshi argues with his father, he runs upstairs, first slipping out of his sandals and leaving them at the bottom (center) of the stairs. Moments later, Kayo goes up to him. We see that she, too, removes her sandals at the bottom of the stairs. But Kiyoshi's sandals have now suddenly disappeared: we see only Kayo's sandals at the bottom of the stairs. Moments later, Kiyoshi comes back downstairs to go after his father. He goes to put on his sandals, which have now suddenly reappeared, but in a different location from where he took them off. A moment later, Kayo also comes down the stairs and puts on her sandals, which are approximately where she had removed them and placed them, moments earlier. See more
Referenced in The Triplets of Belleville