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Floating Weeds (1959)
"Ukikusa" (original title)

Not Rated  |   |  Drama  |  24 November 1970 (USA)
7.9
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Ratings: 7.9/10 from 4,524 users  
Reviews: 28 user | 66 critic

The head of a Japanese theatre troupe returns to a small coastal town where he left a son who thinks he is his uncle, and tries to make up for the lost time, but his current mistress grows jealous.

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(screenplay), (screenplay), 1 more credit »
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Title: Floating Weeds (1959)

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Cast

Cast overview, first billed only:
Ganjirô Nakamura ...
Komajuro Arashi
Machiko Kyô ...
Sumiko
Ayako Wakao ...
Kayo
Hiroshi Kawaguchi ...
Kiyoshi Homma
Haruko Sugimura ...
Oyoshi
Hitomi Nozoe ...
Aiko
...
Theatre Owner
Kôji Mitsui ...
Kichinosuke
Haruo Tanaka ...
Yatazo
Yosuke Irie ...
Sugiyama
Hikaru Hoshi ...
Kimura
Mantarô Ushio ...
Sentaro
Kumeko Urabe ...
Shige
Toyo Takahashi ...
Aiko no haha
Mutsuko Sakura ...
O-Katsu
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Storyline

A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 November 1970 (USA)  »

Also Known As:

Floating Weeds  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

[According to cinematographer Kazup Miyagawa] 'I'll never forget that, from the first day on, he knew the names of everybody on the set [[ fifty people in the crew, people he'd never worked with. He'd written their names down, I learned later. But everyone was impressed and became devoted to him. Every single day working on this film was extremely pleasurable and enriching. In each of Ozu's films you can sniff his personality. He was pure, gentle, light-hearted, a fine individual.' See more »

Goofs

Near the end, sandals disappear or move around: after Kiyoshi argues with his father, he runs upstairs, first slipping out of his sandals and leaving them at the bottom (center) of the stairs. Moments later, Kayo goes up to him. We see that she, too, removes her sandals at the bottom of the stairs. But Kiyoshi's sandals have now suddenly disappeared: we see only Kayo's sandals at the bottom of the stairs. Moments later, Kiyoshi comes back downstairs to go after his father. He goes to put on his sandals, which have now suddenly reappeared, but in a different location from where he took them off. A moment later, Kayo also comes down the stairs and puts on her sandals, which are approximately where she had removed them and placed them, moments earlier. See more »

Connections

Referenced in The Triplets of Belleville (2003) See more »

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User Reviews

 
Go see this movie now!
7 April 2005 | by (Tellus) – See all my reviews

In a week I saw this movie three times. Why? Because its charm really got me, it should get you too! Set on an small island in the warm southern Japan summer, a struggling kabuki troupe comes by boat to stay there for a few shows. They actually stay much longer than that because the leader of the troupe has some personal matters here.

The characters in this movie felt so real its as if I know them. And I think back on them fondly. I and the cynic, but unexperienced son (was it Kiyoshi?), the jealous femme fatale Sumiko, the lovely mother of Kiyoshi, the sweet flower Oyoshi and the others are almost like friends. Ozu succeeds in getting the very best out of the actors so they cease to be actors. Best is Kyô Machiko as Sumiko and Nakamura Ganjiro as the troupe leader. I am not all convinced on Kiyoshi though, esp. during the Sumiko confrontation.

Stylistically this is a perfect film. Camera is fixed in well composed shots and we get to mediate on the surroundings and the people and let it all sink in. Look out for the quarrel scene, its simply one of the most powerful scenes I've seen.

Music carries the feelings in the movie even if its just too simple songs (that I remember). The heat is felt and I'm there sweating with them.

Some noted that this is good soap opera, I disagree, this is drama of the highest order, the kind of drama you don't see much in movies at all. This was my first Ozu, and its not everybody's favourite it seems, still its hard to surpass this..


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