In London's Soho, Johnny Solo runs the Pink Flamingo Club. He's tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot ... See full summary »
An out of work Method actor is hired by a male model, an ecdysiast, and a car salesman who live together to save money. They want the actor to listen to their problems and go see a ... See full summary »
Live scenes of Paris and a continuity Narrator link together four dramatic choreographies, all by Roland Petit: Carmen (1949), La croqueuse de diamants (1950), Deuil en 24 heures (1953), and Cyrano de Bergerac (1959).
Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to ... See full summary »
Three decorated Navy pilots finagle a four day leave in San Francisco. They procure a posh suite at the hotel and Commander Crewson, a master of procurement, arranges to populate it with ... See full summary »
A story of a tribe of Amazons in the age of swords and chariots. The film opens with the tribe holding physical contests to select a new queen. Since there are no men in the tribe, they ... See full summary »
Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He... See full summary »
In London's Soho, Johnny Solo runs the Pink Flamingo Club. He's tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot is a competitor, Diamonds Dielli. Midnight Franklin, who's Johnny's girlfriend and one of the club's headliners, wants to get Johnny out of the business. In the background are a sadistic client, an underage chorus girl, a wisecracking siren who's not averse to rough trade, a visiting journalist, and a dancer who guards her past. Can Johnny win the struggle with Diamonds, and can Midnight get him out of harm's way? Written by
For those who think that Jayne Mansfield's career was nothing more than an overblown publicity stunt I boldly state they should at least see this before making any final judgments. I too started watching this with a fair amount of skepticism, and yet I was blown right out of the water by both Jayne and the movie. Both are a lot better than I was anticipating. This is the best Mansfield performance I've ever seen. She is perfectly cast in the role of Midnight Franklin. She makes the character all too human, and all too believable. The movie itself is fast-paced, packing a lot into its 93 minutes. It's also well-acted by everyone involved, and very well-directed. It's intriguing and holds your interest. It has the air of a good Warner Brothers gangster film, as well as a definite film-noir feel to it. I don't know what happened to the color prints of this, but, in my opinion it's the sort of movie that actually plays better in black-and-white. And Jayne's musical numbers are always worth seeing. I definitely recommend this one.
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