Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us....
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Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us. His theory is that the creature is suppressed by our ability to scream when fear strikes us. He gets a chance to test his theories when he meets Ollie and Martha Higgins, who own and operate a second-run movie theater. Martha is deaf and mute and if she is unable to scream, extreme fear should make the creature, which Chapin has called the Tingler, come to life and grow. Using LSD to induce nightmares, he begins his experiment. Written by
In Oct. 1959, Columbia Pictures distributed this film on a double bill with Juke Box Rhythm (1959). Filmed May 18-June 1 1959. See more »
Hair and nails do not continue to grow after one dies, as Dr. Chapin asserts. The illusion of growth is created by the shrinkage of the flesh surrounding the hair and nails. However, the belief in growth after death has become so ingrained in common folklore that it is not surprising to see it used as "fact" in a horror film; such films play on our fears and knowledge of folklore to achieve their effects. See more »
William Castle's 'The Tingler' is one of the most extraordinary horror movies ever made. Low budget, silly script, bad dialogue, uneven acting, gimmicky to the extreme (with or without "percepto"), but it STILL manages to amaze. It's a kind of trojan horse, being a cheesy b-grade thriller with a hidden core of surrealism almost worthy of Bunuel or Cocteau.
Memorable performances from horror legend Vincent Price as the scientist obsessed with explaining the strange phenomenon he labels "the tingler", and Judith Evelyn (who had a bit part in Hitchcock's 'Rear Window') as a bizarre deaf mute who owns a silent movie theatre, elevate this above most of Castle's overrated output. The classic acid trip scene (I think the first ever), the memorable short colour sequence, and the William Burroughs-like monster make this something really special. Not to be missed!
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