6.8/10
838
8 user 14 critic

Experiment in Evil (1959)

Le testament du Docteur Cordelier (original title)
TV-PG | | Drama, Horror | TV Movie 4 July 1960
Mr. Joly, doctor Cordelier's lawyer, is amazed to discover that his client and friend leaves his possessions to a stranger, Opale, a sadistic criminal. He needs this man to prove that people's behavior can be adjusted at will...

Director:

Writer:

Reviews

On Disc

at Amazon

Learn more

People who liked this also liked... 

Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Etienne Alexis, a candidate for president of the new Europe, is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. His wealthy household (... See full summary »

Director: Jean Renoir
Stars: Paul Meurisse, Charles Blavette, André Brunot
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

An upper-class corporal from Paris is captured by the Germans when they invade France in 1940. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic... See full summary »

Director: Jean Renoir
Stars: Jean-Pierre Cassel, Claude Brasseur, O.E. Hasse
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Polish countess Elena falls in love to a Frensh radical party's candidate, a general, in pre world war I Paris, but another officer pines for her.

Director: Jean Renoir
Stars: Ingrid Bergman, Jean Marais, Mel Ferrer
Comedy | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police description. His name is Amedee Lange, and he murdered Batala in Paris. ... See full summary »

Director: Jean Renoir
Stars: René Lefèvre, Florelle, Jules Berry
Drama | History | Music
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A news-reel like movie about early part of the French Revolution, shown from the eyes of individual people, citizens of Marseille, counts in German exile and, of course the king Louis XVI, ... See full summary »

Director: Jean Renoir
Stars: Pierre Renoir, Lise Delamare, Louis Jouvet
Swamp Water (1941)
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town.

Directors: Jean Renoir, Irving Pichel
Stars: Walter Brennan, Walter Huston, Anne Baxter
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

After her father's death and her uncle having drunk all the inheritance, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the ... See full summary »

Director: Jean Renoir
Stars: Catherine Hessling, Charlotte Clasis, Pierre Champagne
Crime | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A charismatic thief makes friends with a bankrupt baron who comes to live in the thief's slum. Meanwhile the thief seeks the love of a young woman, who is held emotionally captive by her slumlord family.

Director: Jean Renoir
Stars: Jean Gabin, Suzy Prim, Louis Jouvet
French Cancan (1955)
Comedy | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

This comedy drama from Jean Renoir chronicles the revival of Paris' most notorious dance as it tells the story of a theater producer who turns a humble washerwoman into a star at the Moulin Rouge.

Director: Jean Renoir
Stars: Jean Gabin, Françoise Arnoul, María Félix
Short | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love to a man at the inn, where they spend the day.

Director: Jean Renoir
Stars: Sylvia Bataille, Jane Marken, Georges D'Arnoux
Short | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An impoverished girl tries to sell matches on NYE. Shivering with cold and unable to sell her wares, she sits in a sheltered nook. Striking a match to keep warm, she sees things in the flame.

Directors: Jean Renoir, Jean Tédesco
Stars: Catherine Hessling, Eric Barclay, Jean Storm
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Take a walk into the dreamlike world of filmmaker Raul Ruiz as he takes us to Paris for a twisting ride. Four strangely symmetrical stories unfold involving love, lust, crime, and time.

Director: Raoul Ruiz
Stars: Marcello Mastroianni, Anna Galiena, Marisa Paredes
Edit

Cast

Cast overview, first billed only:
...
Dr. Cordelier / Opale
Teddy Bilis ...
Maître Joly
Sylviane Margollé ...
Jeune fille
Jean Bertho ...
Premier passant
Jacques Ciron ...
Deuxième passant
Annick Allières ...
Voisine
Dominique Dangon ...
Mère de la jeune fille
Jean Topart ...
Désiré
Michel Vitold ...
Docteur Séverin
Micheline Gary ...
Marguerite
Jacques Danoville ...
Commissaire Lardaut (as Jacques Dannoville)
André Certes ...
Inspecteur Salbris
Jean-Pierre Granval ...
Le patron de l'hôtel
Céline Sales ...
La première fille
Jacqueline Morane ...
Alberte
Edit

Storyline

Mr. Joly, doctor Cordelier's lawyer, is amazed to discover that his client and friend leaves his possessions to a stranger, Opale, a sadistic criminal. He needs this man to prove that people's behavior can be adjusted at will...

Plot Summary | Add Synopsis

Genres:

Drama | Horror

Certificate:

TV-PG | See all certifications »
Edit

Details

Country:

Language:

Release Date:

4 July 1960 (Sweden)  »

Also Known As:

Experiment in Evil  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

This TV program later had a theatrical release. See more »

Connections

Version of Jekyll & Hyde: The Musical (2001) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The Testament Of Dr. Cordelier (TV) (Jean Renoir, 1959) ***1/2
9 May 2007 | by See all my reviews

Frankly, I have lost count of how many cinematic adaptations of Robert Louis Stevenson's classic story, "Dr. Jekyll and Mr. Hyde", I have watched but, since Jean Renoir is one of my favorite film-makers, this rarely-seen film had always been one of my holy grails. Before now, it had been available only as an unsubtitled French DVD - which I had even considered buying at one point but now I am sure glad I waited!

Curiously enough for such a master of the film medium, Renoir's version was shot for TV - it even starts off with the bubbly writer/director entering the studio to 'present' the show - although it did get eventually released to French theaters in late 1961. Having said that, it is quite appropriate given the subject matter that Renoir himself seemed to be in an experimental state of mind: shooting with three to eight cameras and cutting only at the end of each sequence, his intention was to free his actors from the filmic constraints of relentless cutting and repeated takes.

No one benefited more from this deliberately 'flat' approach to the material than his inspired choice for lead actor, Jean Louis Barrault, the celebrated mime best-known for his role in Marcel Carne''s CHILDREN OF PARADISE (1945): his is a truly remarkable performance. We see Cordelier (the Jekyll figure) during three stages of his life: the time when, as a young general practitioner, he first hit upon the notion that good and evil could be separated; the distinguished research scientist, gracefully aged but something of a recluse and, of course, Opale - wearing no make-up except for a set of false teeth and a shaggy wig, Renoir and Barrault's bizarre concept of Hyde as a prancing ("light as air" as he himself puts it) thug with overgrown hair whose mayhem perhaps feels more like the thrill-seeking antics of a spoiled brat (at times recalling Renoir's earlier creation, Boudu, as a matter of fact) rather than the handiwork of someone who is supposedly evil incarnate...although, he does kick the living hell out of his victims as they lie helplessly on the ground!

Two other notable secondary characters are the lawyer (Teddy Bilis) who is baffled by Cordelier's singular will but who sticks by his friend till the bitter end, and Michel Vitold's irascible psychiatrist, a rival of Cordelier's and whose heart condition Opale sadistically exploits; interestingly, Vitold would later play the villainous banker Favraux in Georges Franju's marvelous remake of JUDEX (1963). Renoir regular Gaston Modot is also featured as Barrault's elderly handyman: he had been the lead in Luis Bunuel's L'AGE D'OR (1930) and the scene here in which Opale kicks a crutch from under a limping man recalls the one in the notorious Surrealist film where Modot's anarchic protagonist pushes a blind man into a busy street. Another veteran of Renoir's cinema is composer Joseph Kosma whose wonderful score emerges as another major asset. The fact that its plot essentially centers around the mysterious goings-on in the household of an eminent physician reminded me of the contemporaneous EYES WITHOUT A FACE (1959) even if, as I said earlier, there is little room here for poetic images so prevalent in Franju's film. Incidentally, just as I never refer to that film by its silly American moniker - THE HORROR CHAMBER OF DR. FAUSTUS - I loathe Lionsgate's decision to attach the unflattering title THE DOCTOR'S HORRIBLE EXPERIMENT to the Renoir picture!

Despite the action being relocated to Paris and set in contemporary times, this is actually one of the most faithful renditions of Stevenson's work: it is virtually the only film version which lends its central theme of good vs. evil a spiritual resonance (the doctor even commits suicide, while still in his Opale persona, by taking a lethal dose of his own potion) where most other adaptations had just opted to concentrate on the element of repressed sexuality inherent in Stevenson's original. In fact, there is no significant female character here at all. Renoir does give us hints in that direction, however, as we do see Cordelier (rather than Opale) corrupted - time and again, we are told on his tape-recorded confession - into ravishing his patients while they are under the anaesthetic. The metamorphosis is clearly a painful one and Cordelier assumes a foetal position during the first transformation indicating a physical rebirth; interestingly, given that the film is not structured in a linear fashion, we meet Opale, roaming the streets of Paris at night, before we are formally introduced to his benign alter-ego, Dr. Cordelier.

In conclusion, THE TESTAMENT OF DR. CORDELIER not only emerges as easily one of the best filmed versions of the novel - edged only by the Rouben Mamoulian/Fredric March 1931 milestone and just ahead of Walerian Borowczyk's delirious DOCTEUR JEKYLL ET LES FEMMES (1981), which it predates in several aspects - but as yet another great Renoir work. Hardly the "risible...probably the only disaster in the Renoir canon" dismissal one reads about in David Quinlan's book on film directors! On a more personal note, I am disappointed by the sheer lack of online reviews of this important 3-Disc Set from Lionsgate and, hopefully, I will not only get to the rest of the Renoir films therein in due time but may also take this opportunity to watch Giorgio Albertazzi's similarly modernized 4-hour adaptation made for Italian TV, JEKYLL (1969), which I recently acquired.


14 of 16 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 8 user reviews »

Contribute to This Page