A lawyer finds out that a young couple convicted of murder was in fact framed for the crime and goes to the prison with the hope of freeing them and learns the events that happened to the two from a fellow prisoner who helped them escape.
The story revolves around Anne who is held hostage by an escaped maniac from an insane asylum. The fugitive forces her to tell stories to prevent her from getting help. Anne then spins a ... See full summary »
Ms. Pendleton is the commander-in-chief of a women's training camp for western spies, recently established in Turkey. CIA agent Leyton receives a mission, to discover and destroy an ennemy ... See full summary »
Jess Franco's debut film is surprisingly sweet and fluffy
I think it would only be fair to say that with his feature film debut, Jess Franco did not start off like he was going to go on. In fact, if it wasn't for his name appearing in the opening credits I think there would be very few people who would have clocked this one as a Franco flick at all. It's essentially a light-hearted and breezy comedy about two Madrid girls who buy an old car and head off on a road trip. Afterwards, they re-imagine fantastical versions of the encounters they experienced along the way.
It's essentially a road movie and, therefore is quite episodic in nature. And the set-up allows for all manner of odd events occurring. One of which is a strange Gothic horror sequence, which points towards the general vicinity that Franco would inhabit later on in his career. For the most part though, this is very atypical stuff. Although it does have to be said that it is made with some care and attention and more budget than he would go on to be associated with. This is certainly a very curious debut and a true obscurity though. And when you consider that this is the first film directed by one of the most prolific film-makers of all-time it has to be considered worthy of a footnote in history at least. It won't necessarily appeal to most of his fans but will certainly be of curiosity value to the majority of them.
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