IMDb > A Summer Place (1959)
A Summer Place
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A Summer Place (1959) More at IMDbPro »

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A Summer Place -- Shocking events at a summer resort in this trailer

Overview

User Rating:
7.0/10   2,174 votes »
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Popularity: ?
Up 19% in popularity this week. See why on IMDbPro.
Director:
Writers:
Sloan Wilson (novel)
Delmer Daves (written by)
Contact:
View company contact information for A Summer Place on IMDbPro.
Release Date:
18 November 1959 (USA) See more »
Genre:
Tagline:
The Sensations...of the Great Best-Seller!
Plot:
A self-made businessman rekindles a romance with a former flame while their two teenage children begin a romance of their own with drastic consequences for both couples. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Won Golden Globe. Another 3 wins & 1 nomination See more »
User Reviews:
A Sneaky Tub of Suds See more (74 total) »

Cast

  (in credits order) (complete, awaiting verification)

Richard Egan ... Ken Jorgenson

Dorothy McGuire ... Sylvia Hunter

Sandra Dee ... Molly Jorgenson

Arthur Kennedy ... Bart Hunter

Troy Donahue ... Johnny Hunter

Constance Ford ... Helen Jorgenson

Beulah Bondi ... Mrs. Emily Hamilton Hamble
Jack Richardson ... Claude Andrews
Martin Eric ... Todd Harper, Handyman at Pine Island Inn
rest of cast listed alphabetically:

Eleanor Audley ... Waiting Guest at Molly's College (uncredited)
Marshall Bradford ... Dr. Matthias (uncredited)

Phil Chambers ... Sheriff (uncredited)
Joe Connors ... Driver (uncredited)
Peter Constanti ... Captain of Yacht (uncredited)

Richard Deacon ... Pawnbroker (uncredited)

Ann Doran ... Mrs. Talbert (uncredited)
Gertrude Flynn ... Helen's Mother (uncredited)

Bonnie Franklin ... Girl in Dormitory (uncredited)
Everett Glass ... Dean (uncredited)
Robert Griffin ... Engelhardt (uncredited)
Howard Hoffman ... Justice of the Peace Alvin Frost (uncredited)
Cheryl Holdridge ... Girl in Dormitory (uncredited)
Lolita ... Singer in German version (uncredited)
Rankin Mansfield ... Attorney (uncredited)
Fred Marlow ... Cab Driver (uncredited)
Lewis Martin ... Doctor (uncredited)
Junius Matthews ... Mr. Hamble (uncredited)
Nancy Matthews ... Girl in Dormitory (uncredited)
Dale J. Nicholson ... Minister (uncredited)
Susan Odin ... Girl in Dormitory (uncredited)
Donald G. Sheely ... Attendant (uncredited)

Roberta Shore ... Anne Talbert (uncredited)

Arthur Space ... Ken's Attorney (uncredited)
George Taylor ... Bart's Attorney (uncredited)
Helen Wallace ... Wife of Justice of the Peace (uncredited)
Cecil Weston ... Operator (uncredited)

Directed by
Delmer Daves 
 
Writing credits
Sloan Wilson (novel)

Delmer Daves (written by)

Produced by
Delmer Daves .... producer
 
Original Music by
Max Steiner 
 
Cinematography by
Harry Stradling Sr. 
 
Film Editing by
Owen Marks 
 
Art Direction by
Leo K. Kuter 
 
Set Decoration by
William L. Kuehl 
 
Costume Design by
Howard Shoup 
 
Makeup Department
Gordon Bau .... makeup supervisor
Margaret Donovan .... hair stylist (uncredited)
Al Greenway .... makeup artist (uncredited)
Helen Lierly .... hair stylist (uncredited)
Edith Palmer .... body makeup (uncredited)
Henry Vilardo .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Russell Llewellyn .... assistant director
Gil Kissel .... assistant director (uncredited)
 
Art Department
Archie Neel .... assistant props (uncredited)
Red Turner .... prop master (uncredited)
 
Sound Department
Stanley Jones .... sound
Everett A. Hughes .... boom operator (uncredited)
William Lambert .... sound recordist (uncredited)
Ben Sad .... cable (uncredited)
 
Stunts
Lila Finn .... stunts (uncredited)
 
Camera and Electrical Department
George Bennett .... best boy (uncredited)
Frank Flanagan .... gaffer (uncredited)
Charles Harris .... grip (uncredited)
Horace Jones .... second assistant camera (uncredited)
Wally Meinardus .... assistant camera (uncredited)
Harry Stradling Jr. .... camera operator (uncredited)
Jack Woods .... still photographer (uncredited)
 
Costume and Wardrobe Department
Norma Brown .... wardrobe: women (uncredited)
Joan Joseff .... costume jeweller (uncredited)
Gordon Murray .... wardrobe: men (uncredited)
Ted Schultz .... wardrobe: men (uncredited)
Fern Vollner .... wardrobe: women (uncredited)
 
Location Management
Joe Barry .... locations (uncredited)
 
Music Department
Murray Cutter .... orchestrator
 
Transportation Department
Harry Zubrinsky .... transportation (uncredited)
 
Other crew
Bert Stein .... dialogue supervisor
Ted Ashton .... publicist (uncredited)
E.J. Carroll .... location auditor (uncredited)
George Leslie .... timekeeper (uncredited)
Alton McDermott .... first aid (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
  • RCA  sound recording

Additional Details

Also Known As:
Runtime:
130 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Finland:K-16 | Netherlands:AL | Singapore:PG | Sweden:15 | UK:A (cut) | USA:Approved (certificate #19324) | West Germany:12 (f) (cut version) | West Germany:18 (original rating)

Did You Know?

Trivia:
When Molly's father enters her boarding-school dorm room, a Smokey the Bear poster can be seen on the door. The poster warns "Remember - only you can PREVENT FOREST FIRES!" (1:21:22). The term "FOREST FIRES" was replaced by the "WILDFIRES" on posters beginning in 2001.See more »
Goofs:
Continuity: When Johnny and Molly meet outside church during Christmas break, except for patches of (fake) snow, all foliage and grass is green.See more »
Quotes:
Bart Hunter:As soon as Molly is found - and I'm sure she will be - I suggest you vacate these rooms as swiftly as possible.
Helen Jorgenson:[incredulously] Don't tell me that you're on their side!
Bart Hunter:Let's merely say that I'm not on yours.
See more »
Movie Connections:
Soundtrack:
LiebestraumSee more »

FAQ

Was Ken and Sylvia's house really designed by Frank Lloyd Wright?
Where is the house used for the Pine Island Inn located?
How does the movie end?
See more »
9 out of 10 people found the following review useful.
A Sneaky Tub of Suds, 28 November 2010
Author: dougdoepke from Claremont, USA

It's easy to mock this big tub of soap suds. What with the two baby-faced innocents and a ton of Dee's pouty close-ups, it's a generous slice of white bread, 50's style. But beneath all the teen-age angst and adult philandering lies a surprisingly subversive message for that uptight decade.

Because, once things get sorted out over the 130 minutes, we find out a number of social rules have not only been broken, but their violation justified. For example: the storyline implies that teen sex may be okay as long as the kids truly love each other— a violation of the teenage abstinence rule; that unwed teen pregnancy need not be punished— a challenge to Production Code insistence; and that adultery may be okay if the spouses are in impossible marriages—a further erosion of that seemingly sacred institution. The overall idea, is that no matter what, true love forgives all.

Now, this may seem pretty tame stuff 50-years later in our anything-goes era. But I guarantee, it was cutting edge Hollywood at the time, even if the messages were buried in a load of glossy make-believe. Responding to the slick package were lines of teens stretching around the block, and it wasn't just because of the catchy title tune. Then too, those folks curious about the breakdown of 50's conformity and the youth rebellion of the 60's should include this highly unexpected entry in their thinking.

At the same time, writer-director Daves seems an unlikely source for both the message and the genre, with his background in adult Westerns, such as the classic 3:10 to Yuma (1957). Here, he's very shrewd in his casting of Hollywood veterans. There's the likably masculine Egan (Ken) and the saintly maternal McGuire (Sylvia). Between them, they make infidelity seem not only permissible, but required. Then there's the affably tipsy Kennedy (Bart) and the assertively witchy Ford (Helen). Between them, they make cuckolding seem not only permissible, but also required. Taken together, it's almost perfect type casting. My only reservation is with Ford who seems too aggressively mean to make her marriage believable.

Daves is also a sneaky filmmaker since he wraps the controversial subtext in irresistible gloss. Few pictures of the era are as gorgeous as this one, and I'm not just talking about Donahue (who's even prettier than his co-star). Those Technicolor shots of the Carmel coastline are mesmerizing, along with the Lloyd Wright cliffside house. For visual contrast, compare this production with the thematically similar but dour-looking Blue Denim of the same year and also with two blonde innocents-- Brandon deWilde and Carol Lynley. The black&white Denim is the more earnest of the two, yet lacks the candy-box covering that giftwraps this production. Thus, for all its seriousness, Denim lacked the same teen drawing power and impact.

Anyway, as mentioned, mocking the film is easy, what with all the soapsuds and two Photoplay leads. However, I salute Daves for knowing how to get his humane message across to a popular audience, despite providing grist for generations of smirking critics. Happily, Daves proves here that there was more to his filmmaking than a fast gun, Glenn Ford, and a slow train to Yuma.

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