A Summer Place (1959)

A self-made businessman rekindles a romance with a former flame while their two teenage children begin a romance of their own with drastic consequences for both couples.

Director:

Delmer Daves

Writers:

Sloan Wilson (novel), Delmer Daves

Stars:

Richard Egan, Dorothy McGuire, Sandra Dee

3 wins & 1 nomination.

Cast

Complete credited cast:
Richard Egan	...	Ken Jorgenson
Dorothy McGuire	...	Sylvia Hunter
Sandra Dee	...	Molly Jorgenson
Arthur Kennedy	...	Bart Hunter
Troy Donahue	...	Johnny Hunter
Constance Ford	...	Helen Jorgenson
Beulah Bondi	...	Mrs. Emily Hamilton Hamble
Jack Richardson	...	Claude Andrews
Martin Eric	...	Todd Harper, Handyman at Pine Island Inn

Storyline

Self-made millionaire Ken Jorgenson vacations with his wife and teenage daughter on Pine Island, Maine, where -- some 20 years earlier -- he'd worked as a lifeguard. Jorgenson now resumes a romance with island resident Sylvia Hunter who is trapped in a marriage as loveless as Jorgenson's. Scandal erupts when word of this romance becomes public, but it serves to draw together Jorgenson's daughter and Sylvia's teenage son who are appalled by their parents' mistakes and determined not to repeat them.

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Plot Keywords:

marriage | adultery | love | divorce | family relationships | 

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Genres:

Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

18 November 1959 (USA)

Also Known As:

Amores Clandestinos

Filming Locations:

Carmel-by-the-Sea, California, USA

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

130 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Initial considerations for the role of Helen Jorgenson included Teresa Wright and Olivia de Havilland.

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Goofs

Johnny (Troy Donahue) kisses Molly (Sandra Dee) in the garden with his arms wrapped around hers and hers encircling his lower chest. A close-up shows her arms wrapped around his neck.

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Quotes

Doctor: Mrs. Jorgenson, you're being less than no help at all. Please leave.

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Connections

Referenced in Coogan's Run: Handyman for All Seasons (1995)

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Soundtracks

"Bridal March"
(uncredited)
from "Lohengrin"
Composed by Richard Wagner

User Reviews

A Sneaky Tub of Suds

It's easy to mock this big tub of soap suds. What with the two baby-faced innocents and a ton of Dee's pouty close-ups, it's a generous slice of white bread, 50's style. But beneath all the teen-age angst and adult philandering lies a surprisingly subversive message for that uptight decade.

Because, once things get sorted out over the 130 minutes, we find out a number of social rules have not only been broken, but their violation justified. For example: the storyline implies that teen sex may be okay as long as the kids truly love each other— a violation of the teenage abstinence rule; that unwed teen pregnancy need not be punished— a challenge to Production Code insistence; and that adultery may be okay if the spouses are in impossible marriages—a further erosion of that seemingly sacred institution. The overall idea, is that no matter what, true love forgives all.

Now, this may seem pretty tame stuff 50-years later in our anything-goes era. But I guarantee, it was cutting edge Hollywood at the time, even if the messages were buried in a load of glossy make-believe. Responding to the slick package were lines of teens stretching around the block, and it wasn't just because of the catchy title tune. Then too, those folks curious about the breakdown of 50's conformity and the youth rebellion of the 60's should include this highly unexpected entry in their thinking.

At the same time, writer-director Daves seems an unlikely source for both the message and the genre, with his background in adult Westerns, such as the classic 3:10 to Yuma (1957). Here, he's very shrewd in his casting of Hollywood veterans. There's the likably masculine Egan (Ken) and the saintly maternal McGuire (Sylvia). Between them, they make infidelity seem not only permissible, but required. Then there's the affably tipsy Kennedy (Bart) and the assertively witchy Ford (Helen). Between them, they make cuckolding seem not only permissible, but also required. Taken together, it's almost perfect type casting. My only reservation is with Ford who seems too aggressively mean to make her marriage believable.

Daves is also a sneaky filmmaker since he wraps the controversial subtext in irresistible gloss. Few pictures of the era are as gorgeous as this one, and I'm not just talking about Donahue (who's even prettier than his co-star). Those Technicolor shots of the Carmel coastline are mesmerizing, along with the Lloyd Wright cliffside house. For visual contrast, compare this production with the thematically similar but dour-looking Blue Denim of the same year and also with two blonde innocents-- Brandon deWilde and Carol Lynley. The black&white Denim is the more earnest of the two, yet lacks the candy-box covering that giftwraps this production. Thus, for all its seriousness, Denim lacked the same teen drawing power and impact.

Anyway, as mentioned, mocking the film is easy, what with all the soapsuds and two Photoplay leads. However, I salute Daves for knowing how to get his humane message across to a popular audience, despite providing grist for generations of smirking critics. Happily, Daves proves here that there was more to his filmmaking than a fast gun, Glenn Ford, and a slow train to Yuma.