Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows ... See full summary »
David, now an old man, is still king of Israel. Among his sons, the ambitious Adonijah and the clever Solomon. The two young men are fierce rivals, since both are prospective heirs to the ... See full summary »
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Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the ... See full summary »
In order to flee from powerful enemies, young Mayan king Balam leads his people north across the Gulf of Mexico to the coast of what will become the United States. They build a home in the ... See full summary »
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Shirley Anne Field
Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows to attain the throne. Meanwhile the Egyptian Pharoah agrees to cede a Red Sea port to the Queen of Sheba is she can find a way to destroy Solomon, whose wisdom and benevolent rule is seen as a threat to more tyrannical monarchs in the region. Sheba, Pharoah, Adonijah, the leaders of the Twelve Tribes and his own God make life difficult for Solomon who is tempted by Sheba to stray. Written by
Ron Kerrigan <firstname.lastname@example.org>
Co-producer/star Tyrone Power had completed shooting more than half of the film when he collapsed during a duelling scene with George Sanders and died a few minutes later. Power was replaced in the role of Solomon by Yul Brynner, who refilmed all of Power's scenes. Power, however, is still visible in the film in long shots. See more »
Israelite victory pivots on blinding the Egyptians with the Sun reflected in their shields as the chariots charge with the Sun behind them. The Pharaoh even remarks that the Israelites must defend themselves facing the Sun. But the Egyptians attack with long shadows stretching to their right, indicating the sun is to their left, not at their backs. Further, the shadows of the defender also stretch to their right, indicating they are facing the same direction as their attackers, not confronting them. See more »
But if he turn away and forsake my statutes, then I will pluck them up by the roots out of my land which I have given, and this house which is high shall be an astonishment to everyone who crosseth it, so that he shall say, "Why has the Lord done naught onto this land and onto this house?" And it shall be answered, "Because they forsook the Lord God of their fathers, which brought them forth out of Egypt, and raised them on hallowed grounds, and worshiped them, and served them - therefore has ...
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"Solomon and Sheba" was the kind of film that you just had to go and see back in the late 50's when I was a kid: a biblical epic spectacular with well known performers, unusual costumes, lots of extras and battle sequences. So I went to see it; but I remember that back then "Solomon and Sheba" didn't impress me at all, which was a strange thing since I had enjoyed a lot "The Ten Commandments", "Quo Vadis", "Helen of Troy" and others. The point is that when you are a kid you disregard things in pictures that adults don't (bad acting, for instance) and you are easier to please with warriors in their armors, battles, sword duels and action, so if your'e not impressed then something is wrong with a product of this genre.
This film, though it has some of such features, is definitely standard and average. Yul Brynner's wooden performance as the Hebrew king doesn't even light when he has voluptuous and half naked Gina Lollobrigida dancing around him provocatively. She is better and renders an acceptable acting. George Sanders doesn't look interested in what he is doing, and Marisa Pavan (Pier Angeli's twin sister) doesn't add at all as a sort of Brynner's conscience.
The final sword duel between Brynner and Sanders is just for the plot and lacks interest and intensity (it had to filmed, that's all).
Not a good farewell for director King Vidor, Solomon and Sheba will probably be remembered as Ty Power's last unfinished picture.
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