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The Shaggy Dog (1959)

 -  Family | Comedy | Fantasy  -  19 March 1959 (USA)
6.4
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Ratings: 6.4/10 from 2,558 users  
Reviews: 34 user | 13 critic

A teenage boy is cursed with periodically turning into an sheepdog.

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(screenplay), (screenplay), 1 more credit »
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Title: The Shaggy Dog (1959)

The Shaggy Dog (1959) on IMDb 6.4/10

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Cast

Complete credited cast:
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Alexander Scourby ...
Roberta Shore ...
James Westerfield ...
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Forrest Lewis ...
Ned Wever ...
Gordon Jones ...
Captain Scanlon, Police Chief
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Storyline

Through an ancient spell, a boy changes into a sheepdog and back again. It seems to happen at inopportune times and the spell can only be broken by an act of bravery.... Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Doggone Hilarious Fun! See more »

Genres:

Family | Comedy | Fantasy

Certificate:

Approved | See all certifications »
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Details

Official Sites:

Country:

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Release Date:

19 March 1959 (USA)  »

Also Known As:

Quelle vie de chien!  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

Gregory Peck was the second choice for the role of Wilson Daniels. See more »

Goofs

In the scene where the boys launch the missile interceptor, the dining room's furnishings (the vase and cabinet behind Fred MacMurray) start to shake before the rocket can be heard to be ignited. See more »

Quotes

Freeda Daniels: Frankly, I think that dogs don't like mailmen because... well, because sometimes they bring bad news. Animals sense those things, you know.
See more »

Connections

Referenced in The Many Loves of Dobie Gillis: Lassie, Get Lost (1963) See more »

Soundtracks

The Shaggy Dog
Written by Hazel George (as Gil George) and Paul J. Smith (as Paul Smith)
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User Reviews

 
A bit more context
8 March 2006 | by (United States) – See all my reviews

Up to the point of this movie, the Disney Studio had had plenty of experience in live-action film production, but it was chiefly in the UK, where they used the considerable debt-credit that England had run up during the war years to produce things as Treasue Island and 20,000 Leagues Under the Sea. Their initial foray into U.S. live-action production was Davy Crockett on Disneyland, the Mickey Mouse Club's TV serials, and then Zorro, followed by several mini-series on Walt Disney Presents (Texas John Slaughter, Elfego Baca, Swamp Fox). The Shaggy Dog was initially planned as a TV series to follow Zorro as something independent from the weekly Disney hour. You can see vestiges of TV production in almost every aspect of this film, from the post-production foley work on entire scenes to the subdued performance of Kirk (largely reprising his Joe Hardy role from the Hardy Boys serials) and MacMurray's scenery chewing. Not that either of these things were unusual in family movies of the time, but we tend to be more forgiving of them on old TV. (The book the concept originated in was written by Felix Salten, who created Bambi and Perri, a couple of Disney animal characters who did pretty well for themselves.)

The Shaggy Dog was one of the first movies I saw as a child and I've always held a great affection for it, even while recognizing all of its flaws. The concept here is what I liked, and I believe, had the same cast (remember, this is the year before Fred MacMurray and Tim Considine were cast in My Three Sons) starred in a TV series based on the concept, we'd now be looking back fondly on another TV classic of the golden years rather than a rather middling Disney comedy. I still feel that it might work better as a Disney Channel series than a movie starring Tim Allen; part of the reason I liked the original is because the star was a kid only a couple of years older than me. What I don't need in a new Shaggy Dog film is even PG humor, and without it these days, there isn't much of a market for it in theaters (or even as a series on any of the major networks). It's a kids' super-hero concept that requires a kids' venue, and, sadly, that isn't the big screen. Perhaps, however, if the film does well, someone in the studio will realize that it would work better on a weekly basis...about fifty years late.


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