The first puppet kinescope in the world. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common ... See full summary »
An enthusiastic filmmaker thinks he's come up with a totally original idea: animation set to classical music! When he is informed that some American named "Prisney" (or something) has ... See full summary »
Trnka's sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for ... See full summary »
A joyful puppet film based on a story from Giovanni Boccaccio's Decameron. It is a story of a philandering monk and a beautiful but dull lady who surrenders only to archangel Gabriel. A ... See full summary »
The first puppet kinescope in the world. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jirí Trnka's work and a milestone in the history of the world animation. Written by
In my opinion Czech puppet animator JIRI TRNKA outdid himself when he created this version of "A Midsummer Night's Dream".This film's aesthetic beauty is only superceded by it's technical excellence for clearly TRNKA had moved away from his earlier techniques and developed a new one.
In his film "The Emperor's Nightingale" the puppets were silent, as actors were silent in the days before talkies. But in "A Midsummer Night's Dream" the puppet's were silent in the way that actors in mime, or ballet dancers are silent.
There was also a basic difference in expression: In the first film the movement was symbolic,in the second, the action was expressed through the language of mime.
All in all... a triumph of stop-motion cinema.
Steve Weber The Laughing Egg Studio
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