Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist ... See full summary »
In 2020, after the colonization of the moon, the spaceships Vega, Sirius and Capella are launched from Lunar Station 7. They are to explore Venus under the command of Professor Hartman, but... See full summary »
In the 21st century Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station. Tension mounts between Peterson and the station commander, who ... See full summary »
Rik Van Nutter,
Space pilot Ijon Tichy, travels in his three-room-rocket together with his holographic and/or hallucinogenic colleague Halluzinelle and the ugly dog-like extraterrestrial being Mel. The conflicts between the bad feelings of Halluzinelle about the stubbornness of the space pilot always end up in difficult situations in which it is the mission to find the most irritating solution as possible.
Kris Kelvin joins the space station orbiting the planet Solaris, only to find its two crew members plagued by "phantoms," creations of Solaris. Kelvin is soon confronted with his own phantom, taking the shape of his dead wife Hari.
The movie is about "finite nonlinears," robots that closely resemble human beings but are even more perfect than humans. They are intended to eventually replace human beings in space ... See full summary »
(U.S. Version) A mysterious magnetic spool found during a construction project is discovered to have originated from Venus. A rocket expedition to Venus is launched to discover the origin of the spool and the race that created it. Written by
Leo L. Schwab <firstname.lastname@example.org>
Although it was a co-production with a Polish company, it was still the most expensive production for DEFA up to that time. See more »
The US release has English dialogue translated from the German. Some of the translation isn't quite right. They keep referring to the power lines as being "under tension" from the German "Spannung" but for electrical lines this would usually be better translated as "electrified". Also they translate the German word "Automaten" as "automats" which would be better translated simply as "machines" or "equipment". See more »
In the late 50s Russia changed the world by launching Sputnik. This really was a shock; modern readers may not appreciate it as of the magnitude (in the US) of 9-11. In terms of national will, there was a more universal mobilization and commitment of resources than after 9-11, that's for sure.
Both the Russian and American space efforts were at root militarily motivated, but wrapped in more glorious notions or exploration. And both depended on "captured" Nazi scientists. At the time, East Germany was considered the most oppressed of all the communist clients, and the leaders there tried so very hard to establish itself as the center of the communist world for technology (which is how Germans see science).
East Germany as a region was cut out of the space program proper, something they wanted to change. So huge government monies went into this movie, including permissions to use Americanfilm stock and technology.
As it happens, this film proved enormously popular across the communist world and did have a profound effect on the Soviet space program. See my comments on "Planeta Bur" for that background.
The avowed goal was to show Germany as the leader and catalyst of a future international collaboration, peace led by a cleansed nation. So look what we have: a rock from the Gobi desert, a meteor from Siberia, a team mobilized for a trip a team from all continents: American, African, several Asians. And a story from someone widely considered the father of modern science fiction, a sibling through Warsaw Pact.
It really is true that large fortunes, on the order of a trillion dollars, was swung in part by this film, money that could have eliminated all hunger and disease everywhere for generations.
But it has cinematic history as well. Was it the first one to open moving through a starfield as 3D points of light (with titles that recede ahead of us)? A totally fictitious effect that has become necessary since. Otherwise audiences won't think it "real."
The west already had "Forbidden Planet," of course, itself perhaps the most influential science fiction film in the west. In a way, the travel technology was incidental there and in fact the design of the rocket was V2-like. Here, matters of the technology of travel are central.
You have some shades of "Forbidden Planet:" a lost, powerful race. You have some by now staples: lava flows and meteor showers (even in "Star Wars"). There's an Orrery as a model of and control of the attack plan. The black man is less racistly portrayed than Americans would have. That's the point. But he still is the "don't worry, be happy" personality in the group.
They discover a geodesic dome on the planet. In the 60's this was an architectural icon of modern architecture. Interestingly, there is a wonderful sequence where the explorers come upon this thing and are amazed by it. They are talking to the space ship cut to the interior of the space ship and what is the ceiling? Yup, a geodesic dome!
Ted's Evaluation -- 3 of 3: Worth watching.
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