On a vacation in France from his nondescript job and life, John Barratt encounters a titled but impoverished French nobleman who looks exactly like him. The nobleman gets John drunk, and switches places with him to take a breather from his failing business and too-complicated life. John tries to convince everyone he is not who they think he is, but he begins to get more and more involved with the count's family, including an unhappy wife, domineering mother, lonely but talented young daughter, bitter spinster sister and the expected mistress. As John gets to know them he feels he can help them with their problems, but is also becoming used to his borrowed life, which has given him a purpose for the first time. Written by
Ron Kerrigan <email@example.com>
He took another man's name... lived another man's life... loved another man's woman!
See more »
6 August 1959 (USA)
See more »
(Westrex Recording System)
Aspect Ratio: 1.85 : 1
See full technical specs
Did You Know?
A rejected score consisting of classical selections plus original music by Douglas Gamley
was recorded in England. See more
When the very last line is spoken by Guinness' character, his lips do not move. While it could be argued the line was part of his narration sprinkled throughout the film, the line does appear to be his direct answer to the question posed to him. See more
You have the intention of staying long in France, Mr. Barratt?
I don't know. That is to say that I didn't know there was any restriction apart from the question of money.
Opening credits are shown over various images of the book by Daphne DuMaurier. See more
Remade as The Scapegoat