A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
While waiting on a delayed flight, David Trask, who has left his unfaithful wife, meets three of his fellow passengers. When the aircraft crashes, he is one of few survivors, and sets out to resolve their unfinished business.
On a vacation in France from his nondescript job and life, John Barratt encounters a titled but impoverished French nobleman who looks exactly like him. The nobleman gets John drunk, and switches places with him to take a breather from his failing business and too-complicated life. John tries to convince everyone he is not who they think he is, but he begins to get more and more involved with the count's family, including an unhappy wife, domineering mother, lonely but talented young daughter, bitter spinster sister and the expected mistress. As John gets to know them he feels he can help them with their problems, but is also becoming used to his borrowed life, which has given him a purpose for the first time. Written by
Ron Kerrigan <firstname.lastname@example.org>
A rejected score consisting of classical selections plus original music by Douglas Gamley was recorded in England. See more »
When John and Jacques first enter the hotel room, a small prop on the side table jumps due to a bad edit. See more »
You have the intention of staying long in France, Mr. Barratt?
I don't know. That is to say that I didn't know there was any restriction apart from the question of money.
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cast listing 'custom's official' - should be customs official See more »
Although most Americans have little knowledge of his work other than Star Wars, Alec Guinness produced an amazing body of work--particularly in the 1940s-1950s--ranging from dramas to quirky comedies. I particularly love his comedies, as they are so well-done and seem so natural and real on the screen--far different from the usual fare from Hollywood.
I liked this movie a lot--the acting and direction were superb. The only downside is that the movie uses a rather tired old movie cliché--that of identical strangers who switch parts. It's been done with The Prince and the Pauper as well as The Prisoner of Zenda. So to get into the movie, you really need to first suspend your sense of disbelief. Once you've done this and do not question the basic premise, you are rewarded with an excellent little film well worth your time.
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