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Ernest Harden Jr.,
On a vacation in France from his nondescript job and life, John Barratt encounters a titled but impoverished French nobleman who looks exactly like him. The nobleman gets John drunk, and switches places with him to take a breather from his failing business and too-complicated life. John tries to convince everyone he is not who they think he is, but he begins to get more and more involved with the count's family, including an unhappy wife, domineering mother, lonely but talented young daughter, bitter spinster sister and the expected mistress. As John gets to know them he feels he can help them with their problems, but is also becoming used to his borrowed life, which has given him a purpose for the first time. Written by
Ron Kerrigan <email@example.com>
This was a very troubled production. Director Robert Hamer was struggling with the alcoholism which would eventually kill him only a few years later, and had so much difficulty with Bette Davis that he had several lapses during filming, with only the support and kindness of his friend Alec Guinness (who had insisted on him as director) getting him through the ordeal. Davis, whose career was in a major slump, was angry at being restricted to a cameo and was unpleasant to everyone on set - Guinness later commented that her legendary professionalism was "largely a myth". Daphne Du Maurier, the authoress of the original novel, had also created difficulties by interfering with the filming and offering complaints at perceived deviations from her original story. MGM had no faith in the film and extensively re-edited it after shooting was completed, also imposing a score which Hamer did not want composed by studio veteran Bronislau Kaper. See more »
The 1950 Delahaye 135 MS Cabriolet belonging to Jean is made in France and has Paris plates but the steering wheel is on the right, indicating an export model for England or other countries that drive on the right. See more »
You have the intention of staying long in France, Mr. Barratt?
I don't know. That is to say that I didn't know there was any restriction apart from the question of money.
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Opening credits are shown over various images of the book by Daphne DuMaurier. See more »
Glad I finally was able to see this great film from 1959 with a great performance by Alex Guinness, (John Braratt/DeGue) who plays a duel role and is completely outstanding in his great acting abilities. Betty Davis, (Countess) gives a great supporting role and from what I had read, Davis & Guinness did not get along very well during the filming of this film. John Braratt is a professor of French who teaches at a college and runs into a man who looks exactly like him and this other man, DeGue drugs Braratt and leaves him in a hotel with all his passports and clothing. John Braratt gets all caught up in DeGue's family involving a wife, daughter, sister-in-law and his mistress. As the film progresses forward he seems to be enjoying his new role. Great acting and a must see film.
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