Father Conroy (Crosby) has a parish which serves the acting and performance community. When one of his parishoners gets too sick to work, his daughter Holly (Reynolds) finds a job working ...
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Father Conroy (Crosby) has a parish which serves the acting and performance community. When one of his parishoners gets too sick to work, his daughter Holly (Reynolds) finds a job working for a dance club of questionable character, which is run by Tony Vincent (Wagner). Vincent never made the big time, and Father Conroy tries to look after Holly. There are many musical numbers, and the conclusion is a televised benefit show hosted by Father Conroy, and Tony must choose between Holly and national fame. Written by
Scott Jentsch <email@example.com>
[Father Conroy tries to reform Phil, an alcoholic]
I'm a little too old to still believe in Santa Claus.
That's too bad, Phil. He still believes in you.
You're not talking about Santa Claus.
Neither are you. You think you're going to find out what you lost in that bottle?
Maybe in the next one. I haven't tried all the bottles yet. But maybe I should get the Christmas spirit. Isn't this time of year when all the little girls and boys suddenly start to behave?
That's not the real secret of ...
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Bing Crosby at the pulpit once again...well, you can't win 'em all!
Tacky Twentieth Century-Fox comedy-drama with music (and an eleventh-hour holiday theme) has Robert Wagner miscast as the wolfish manager of a risqué nightclub. He's having trouble conquering new showgirl Debbie Reynolds, a church-going college kid trying to earn enough dough to pay for her father's operation. Bing Crosby plays the local priest who tracks Debbie down ("She said she was working as a secretary!" ... "Find the typewriter!"), only to steal a joke from the floor-show to help out a local comedian. Wan mixture of spiritual uplift and boy-chases-girl nonsense doesn't quite jell, at least not with old-school comedy vet Frank Tashlin at the helm. Tashlin's pacing is lively enough, and he works well with Reynolds, but the combination of prayer with salty backstage personalities trips him up. The picture never finds an appropriate tone, and Crosby--trading his famous Father O'Malley role from "Going My Way" for the lookalike Father Conroy--phones his performance in. ** from ****
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