| Nigel Patrick | ... | Superintendent Robert Hazard | |
| Michael Craig | ... | Inspector Phil Learoyd | |
| Yvonne Mitchell | ... | Mildred | |
| Paul Massie | ... | David Harris | |
| Bernard Miles | ... | Ted Harris | |
| Olga Lindo | ... | Mrs. Harris | |
| Earl Cameron | ... | Dr. Robbins | |
| Gordon Heath | ... | Paul Slade | |
| Jocelyn Britton | ... | Patsy | |
| Harry Baird | ... | Johnnie Fiddle | |
| Orlando Martins | ... | Barman | |
| Rupert Davies | ... | Jack Ferris | |
| Yvonne Buckingham | ... | Sapphire Robbins | |
| rest of cast listed alphabetically: | |||
| Robert Adams | ... | Horace Big Cigar | |
| Freda Bamford | ... | Sgt. Cook | |
| Philip Lowrie | ... | Student | |
| Anthony Singleton | |||
| Basil Dignam | ... | Doctor Burgess (uncredited) | |
| Fenella Fielding | ... | Lingerie Shop Manageress (uncredited) | |
| Boscoe Holder | ... | Dancer in Nightclub (uncredited) | |
| Desmond Llewelyn | ... | Police Constable (uncredited) | |
| Bartlett Mullins | ... | Newsagent (uncredited) | |
| Lloyd Reckord | ... | (uncredited) | |
| John Richardson | ... | Student (uncredited) | |
| Barbara Steele | ... | Student (uncredited) | |
| Susan Stranks | ... | Student (uncredited) | |
| Peter Vaughan | ... | Detective Whitehead (uncredited) | |
Directed by | |||
| Basil Dearden | |||
Writing credits(in alphabetical order) | ||
| Janet Green | writer | |
| Lukas Heller | additional dialogue | |
Produced by | |||
| Michael Relph | .... | producer | |
| Earl St. John | .... | executive producer | |
Original Music by | |||
| Philip Green | |||
Cinematography by | |||
| Harry Waxman | |||
Film Editing by | |||
| John D. Guthridge | |||
Art Direction by | |||
| Carmen Dillon | |||
Costume Design by | |||
| Julie Harris | |||
Makeup Department | |||
| W.T. Partleton | .... | makeup artist | |
Production Management | |||
| Douglas Peirce | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David W. Orton | .... | assistant director (as David Orton) | |
Sound Department | |||
| Bill Daniels | .... | sound recordist | |
| Dudley Messenger | .... | sound recordist | |
| Arthur Ridout | .... | sound editor | |
| Harry Fairbairn | .... | sound assistant (uncredited) | |
Camera and Electrical Department | |||
| H.A.R. Thomson | .... | camera operator | |
Music Department | |||
| John Dankworth | .... | musician: saxophone (as Johnny Dankworth) | |
| The Johnny Dankworth Orchestra | .... | music played by | |
Other crew | |||
| Arthur Alcott | .... | production controller: Pinewood Studios | |
| Tilly Day | .... | continuity | |
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| "Prime Suspect" | The Woman in Green | Bunny Lake Is Missing | "Prime Suspect 2" | Blackmail |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
When a young woman's body is discovered on London's Hampstead Heath, the ensuing investigation quickly focuses on racial bigotry and hatred in 1950s Britain, exposing the prejudice amongst those under investigation AND those investigating.
Like so many other films from the 1940s and 1950s, Sapphire is yet another piece of groundbreaking British cinema now long forgotten. A little clunky and overly reliant on stereotyping by today's standards, but still a fascinating exploration of the fears and struggles inherent in a newly mixed-race society. Dearden has brought together an interesting cast here, cleverly giving matinée idol Craig a fairly unsympathetic role as a racist police officer, and being superbly served by Mitchell - her final scene is at once both compelling and distressing. Too many British cinema actors of the 40's and 50's have now been forgotten, and Mitchell is a prime example of why individual and collective reappraisals and retrospectives are long overdue.
Interesting companion piece to 1961's Flame In The Streets, then, and definitely worth catching if you can.