In 1950s London racial hostility to Commonweath immigrants is openly paraded. A pregnant girl, initially assumed to be white, is murdered. As two detectives start to investigate, and ... See full summary »
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Scientists are looking for a man to send up to be the first man on the moon. A man immune to worry, disease and even the common cold. They think they have found him until the impossible happens at Woomera...
Shirley Anne Field,
In 1950s London racial hostility to Commonweath immigrants is openly paraded. A pregnant girl, initially assumed to be white, is murdered. As two detectives start to investigate, and discover her racial origins were much more mixed, public prejudices and those of the officers themselves are exposed. Written by
Jeremy Perkins <firstname.lastname@example.org>
I was amazed by the shocking brutality of the racism in this film. In America, we are rarely presented with such casual racism; in films of the 50s, race is practically never dealt with in films, as Todd Haynes "remake" of Douglas Sirk's All That Heaven Allows tries to make up for. And current films about the 50s present such two dimensional characters that it is easy to tell the racist villains from the open-minded heroes. In Sapphire, filmed in Britain in the 1950s, one of the most interesting characters is Michael Craig's detective, supposedly our hero, but constantly making racist remarks. His comments are always countered by the more reasonable older inspector, but this allows his gradual transformation throughout the film. Although some of the film is a bit heavy-handed, ultimately the message is sadly still relevant. 4 out of 5.
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