Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.
After Stalingrad battle battalions of German prisoners were taken to concentration camps. To the 5110/47 comes the military medical Fritz Böhler. He tries to improve the prisoners conditions sometimes risking his life.
In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible ... See full summary »
Marius Florea Vizante,
The son of an Argentine chemist travels to Vienna, to solve the murder of his father. Step by step, he realizes that his father was internationally entangled in secret service machinations ... See full summary »
A straight-laced German schoolmaster, married with twelve children, finds that his daughter has inherited a house in South America from her aunt, who was banished from the family for her ... See full summary »
Valerie von Martens
Valerie von Martens,
Wolfgang Staudte takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest ... See full summary »
English speaking Kruger, back from the U.S. to claim the Claudius Steel Works, his dead father made him sole heir to, drives through the back projected post war industrial German landscape to the house where mum has married uncle Van Eyk. Hardy is more willing to take the hand of the Ophelia character's ex-Nazi brother than uncle Peter Van or embrace the mother he hasn't seen for 20yr.
With his U.S. official mate, Hardy watches the wide screen Nazi era coverage and offs 70 year old Forster. His daughter, who compares the death of a cut flower to murder, goes bonkers, while Peter Van recruits her brother but all the plotting is to no avail.
The sterile industrial world, where German industry collaborates with the US on the then new H Bomb, never delivers the significance they want it to have. The psychiatry theme is marginally better. "'Gluck' is not a medical term."
Kaütner, the leading German, if not European, film maker of the forties and fifties, back from Hollywood, is on top of his game with every gesture, edit, element of the decor and choice of angle having purpose. Trouble is his "Hamlet" plot never recovers from the feebleness of Forster's death, with the rapid wind up total anti-climax.
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