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The 400 Blows (1959)

Les quatre cents coups (original title)
Not Rated | | Crime, Drama | 16 November 1959 (USA)
Moving story of a young boy who, left without attention, delves into a life of petty crime.

Director:

Writers:

(scenario), (adaptation) (as M. Moussy) | 2 more credits »
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Top Rated Movies #199 | Nominated for 1 Oscar. Another 7 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Claire Maurier ...
Albert Rémy ...
Julien Doinel
Guy Decomble ...
'Petite Feuille', the French teacher
...
Mr. Bigey
Patrick Auffay ...
Daniel Couturier ...
Betrand Mauricet
François Nocher ...
Un enfant / Child
Richard Kanayan ...
Un enfant / Child
Renaud Fontanarosa ...
Un enfant / Child
Michel Girard ...
Un enfant / Child
Serge Moati ...
Un enfant / Child (as Henry Moati)
Bernard Abbou ...
Un enfant / Child
Jean-François Bergouignan ...
Un enfant / Child
Michel Lesignor ...
Un enfant / Child
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Storyline

Seemingly in constant trouble at school, 14 year-old Antoine Doinel returns at the end of every day to a drab and unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. He knows his mother is having an affair and his parents bicker constantly. He decides to skip school and begins a downward spiral of lies and later stealing. His parents are at their wits end and after he's stopped by the police, they decide the best thing to do would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however......... Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Det franske mesterværk om de unge i lømmelalderen[Denmark] See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 November 1959 (USA)  »

Also Known As:

The 400 Blows  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Spanish (Spain) dubbed version of this film has about 12 minutes of footage missing. When Antoine's mom returns home and argues with her husband while Antoine pretends to sleep, the scene in which the family heads home after going to the movie theater, when Antoine and René smoke and drink in Rene's room and when they throw things from the ceiling with blow pipes, are among the scenes that are missing. The scene in which the father talks about the new secretary sleeping with the boss is dubbed to the father speaking about the boss liking the new secretary and her being a very good worker and being promoted because of that. The interview with the psychologist was dubbed with the psychologist asking Antoine if he has had a girlfriend, and he talks about dating some girls but not liking any of them and finding a girl he liked but who chose an older guy instead of him, when in the original he is asked if he's slept with a woman and he goes on to talk about when he tried to get one to sleep with. See more »

Goofs

About after one hour of the movie, when the two boys run in the Sacre Coeur's stairs where they mock a priest, René's jacket changed. It's now longer and black. And just after when they come back to his house, he is wearing again the first jacket. See more »

Quotes

[first lines]
Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!
See more »

Connections

Referenced in Be Kind Rewind (2008) See more »

Soundtracks

Balzac et Gymnastique
(uncredited)
Written by Jean Constantin
See more »

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User Reviews

 
Great Filmmaking by a Great Filmmaker
1 October 1999 | by (Boston, MA) – See all my reviews

The Four Hundred Blows is the semi-autobiographical story of Antoine Doinel, a boy trapped in a life of contemtptuous authority who turns to outward rebellion. Truffaut shows his mastery of the cinema in this, his freshman attempt.

The film is perfectly cast with Dionel relaying neutral facial expressions for the majority of the film. The boy, although not necessarily evoking sympathy from the audience, definitely evokes empathy. He is a pathetic character forced into his position by his teacher and his almost uncaring mother.

Throughout the film, Truffaut hints at the possibility of a happy life for the protagonist, but just as soon as the ideal is given to us, it is taken away. The mood shifts in the film are fabulously orchestrated through contrasting scenes, music, and even acting. From the opening sequence through the final, enigmatic still shot, the movie is a masterpiece of both French and world cinema. It is a must see.


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Not sure why people like it so much... Voice-in-the-Machine
400 blows or Jules and Jim? take_exit3
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