In this legendary Gershwin opera set among the black residents of a fishing village in 1912 South Carolina, Bess - a woman with a disreputable history - tries to break free from her brutish... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
Based on the story, "See How They Run," which ran in the June, 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann... See full summary »
John Phillip Law
George Gershwin miraculously melded classical music, popular song, jazz, blues and spirituals in this quintessentially American masterpiece that tells the poignant story of a crippled ... See full summary »
In this legendary Gershwin opera set among the black residents of a fishing village in 1912 South Carolina, Bess - a woman with a disreputable history - tries to break free from her brutish lover Crown after he becomes wanted for murder. The only person willing to overlook her past and offer her shelter is the crippled Porgy. Their relationship is threatened by the disapproval of the townspeople, the presence of her old drug supplier Sportin' Life - and the threatened return of Crown. Written by
Sidney Poitier had adamantly refused to take the role of Porgy when offered it by Samuel Goldwyn because he felt it perpetuated stereotypes of blacks of a bygone era. However, he was convinced to accept the project by friends and colleagues because a refusal of a Samuel Goldwyn offer would probably have ended his career in films. See more »
The Seattle International Film Festival was fortunate enough to arrange a screening of a recently discovered 70mm print, going so far as to fly it in from Germany. It was a bit faded, the sound could stand to be remastered, scores of frames are missing, and it has German subtitles, but all in all it was a special treat to see a film unlikely ever to be made publicly available again.
But I'm rather mystified as to why the rights are still in dispute. There's nothing overly offensive here, neither politically nor artistically. Unfortunately, neglect and apathy are probably to blame... it must be said that, while notable, the film itself fails to fully communicate the passion of this most American of operas. It's more of a historical artifact now.
The audience was most delighted by Sammy Davis, Jr. in a role that seems to have been conceived specifically for him. Rarely has an actor been so perfectly suited for a part. Unfortunately, Mr. Davis' persona eventually overwhelms the character- but one can't be certain if this is due more to his actual performance or to the peculiar place our image of him now occupies in popular culture.
Sidney Poitier was 10-15 years too young for Porgy, but acquits himself nicely (though he is dubbed less than precisely). Dorothy Dandridge is just right- but is denied Bess' climatic scene, which takes place offscreen. Best of all is Pearl Bailey, who gets only a few chances to make an impression but takes full advantage of them. The scene in which she is interrogated by the policemen is so funny, it practically derails the movie.
The songs have been pared down, some making only a cursory appearance, and the staging is static. These choices, commercial in nature, rob the film of the power it should have. Perhaps another movie will one day do justice to the opera.
In this "Porgy and Bess", the portrait of Catfish Row is what is most moving. This community mourns, celebrates together and protects itself from outsiders. When the detective grumbles "nobody lives here", it's quite apparent why the inhabitants of Catfish Row would want him to believe that.
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