| Photos (See all 21 | slideshow) | Videos (see all 2) |
| Rock Hudson | ... | Brad Allen | |
| Doris Day | ... | Jan Morrow | |
| Tony Randall | ... | Jonathan Forbes | |
| Thelma Ritter | ... | Alma | |
| Nick Adams | ... | Tony Walters | |
| Julia Meade | ... | Marie | |
| Allen Jenkins | ... | Harry | |
| Marcel Dalio | ... | Pierot | |
| Lee Patrick | ... | Mrs. Walters | |
| Mary McCarty | ... | Nurse Resnick | |
| Alex Gerry | ... | Dr. Maxwell | |
| Hayden Rorke | ... | Mr. Conrad | |
| Valerie Allen | ... | Eileen | |
| Jacqueline Beer | ... | Yvette | |
| Arlen Stuart | ... | Tilda | |
| Robert Williams | ... | Mr. Graham (as Robert B. Williams) | |
| Perry Blackwell | ... | Perry | |
| Muriel Landers | ... | Moose Taggett | |
| William Schallert | ... | Hotel Clerk | |
| Karen Norris | ... | Miss Dickenson | |
| Lois Rayman | ... | Jonathan's Secretary | |
| Don Beddoe | ... | Mr. Walters (scenes deleted) | |
| rest of cast listed alphabetically: | |||
| Lillian Culver | ... | Woman in Elevator (uncredited) | |
| Franklyn Farnum | ... | Nightclub Extra (uncredited) | |
| John Indrisano | ... | Truck Driver Punching Jonathan (uncredited) | |
| Joseph Mell | ... | Furniture Dealer (uncredited) | |
| Boyd 'Red' Morgan | ... | Trucker (uncredited) | |
| William H. O'Brien | ... | Nightclub Waiter (uncredited) | |
| Eddie Parker | ... | Doorman (uncredited) | |
| Jeffrey Sayre | ... | Nightclub Dance Floor Extra (uncredited) | |
| Charles Seel | ... | Antique Dealer (uncredited) | |
| Harry Tyler | ... | Coachman (uncredited) | |
Directed by | |||
| Michael Gordon | |||
Writing credits | ||
| Stanley Shapiro | (screenplay) and | |
| Maurice Richlin | (screenplay) | |
| Russell Rouse | (story) and | |
| Clarence Greene | (story) | |
Produced by | |||
| Ross Hunter | .... | producer | |
| Martin Melcher | .... | producer | |
| Edward Muhl | .... | executive producer (uncredited) | |
Original Music by | |||
| Frank De Vol | |||
Cinematography by | |||
| Arthur E. Arling | (director of photography) | ||
Film Editing by | |||
| Milton Carruth | |||
Art Direction by | |||
| Richard H. Riedel | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Ruby R. Levitt | |||
Costume Design by | |||
| Bill Thomas | (uncredited) | ||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Nick Marcellino | .... | makeup artist (uncredited) | |
| Connie Nichols | .... | hair stylist (uncredited) | |
Production Management | |||
| Edward Muhl | .... | in charge of production | |
| Edward Dodds | .... | unit production manager (uncredited) | |
| Ernest B. Wehmeyer | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Phil Bowles | .... | assistant director | |
| Carl Beringer | .... | assistant director (uncredited) | |
| Jack Cunningham | .... | assistant director (uncredited) | |
| John Sherwood | .... | second unit director (uncredited) | |
Art Department | |||
| William Laraby | .... | props (uncredited) | |
| Solly Martino | .... | props (uncredited) | |
| H. John Ramos | .... | props (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
| Frank Morehead | .... | sound (uncredited) | |
| James F. Rogers | .... | sound (uncredited) | |
| Harold Tucker | .... | sound (uncredited) | |
| Kenneth Wilson | .... | sound (uncredited) | |
Special Effects by | |||
| Roswell A. Hoffmann | .... | special photography (as Roswell Hoffmann) | |
| Clifford Stine | .... | special photography | |
Camera and Electrical Department | |||
| Frank J. Calabria | .... | additional photographer (uncredited) | |
| Edward T. Estabrook | .... | still photographer (uncredited) | |
| Russ Franks | .... | grip (uncredited) | |
| Al Harris | .... | grip (uncredited) | |
| Harold Haselbusch | .... | best boy (uncredited) | |
| Michael Moramarco | .... | assistant camera (uncredited) | |
| Tom Ouellette | .... | gaffer (uncredited) | |
| John Thoeny | .... | assistant camera (uncredited) | |
| K.K. Towers | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Jean Louis | .... | gowns: Doris Day | |
| Rosamonde Lytele | .... | wardrobe (uncredited) | |
| Marie Pickering | .... | wardrobe (uncredited) | |
| Bucky Rous | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Henri Jaffa | .... | color consultant | |
| William L. Stevenson | .... | assistant film editor (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| Leon Charles | .... | dialogue coach (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Dorothy Hughes | .... | script supervisor (uncredited) | |
| Betty Mitchell | .... | unit publicist (uncredited) | |
| Dan Thomas | .... | unit publicist (uncredited) | |
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| Stateside | The Palm Beach Story | I'm Not There. | Mildred Pierce | My One and Only |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I can honestly say that this is my favorite movie of all time. It has everything a romantic comedy needs...a wonderful script, snappy dialog and of course, the wonderful performances by every single actor in the movie. Doris Day is dead on as Jan Morrow, a single interior decorator, living alone in New York City in the late 1950's who has to share a party line on her telephone (which was not that unusual for that day and time, as hard as it is to believe now) with Brad Allen, played with smarmy brilliance by Rock Hudson. Tony Randall plays Jan's friend and client, Jonathan, a neurotic millionaire who wants to be more than just friends with Doris, but can't get to first base with her. The delightful Thelma Ritter is perfectly cast as Alma, Day's hard drinking but wise housekeeper. Doris can't stand sharing her party line with the womanizing Brad Allen, but when Allen sees her at a night club and figures out who she is and that she will never have anything to do with him if she knows his true identity, he invents an alter ego for himself, Rex, the cowboy from Texas. The ensuing story just gets funnier and funnier, as Jonathan, (Tony Randall's character) starts figuring out the deception, and romantic mayhem ensues. Doris Day never looked lovelier as she did in this film, and Rock never looked more handsome. It is ironic that he played such a blatant womanizer in this film, when of course, in real life he was a gay man. Although the film seems kind of dated now (at the time this film was made it was unusual for a woman to be single and successful) it is still tons of fun to watch. They just don't make movies like this anymore. A definite 10 stars!