American couple Mike and Janet Harper move to England for Mike's work, his company which deals in wool textiles and wool fashions. Despite Mike's want for them to live in a flat in the ... See full summary »
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Universal Studios, Tony Randall was supposed to fake a reaction to being decked in the face by one of the restaurant patrons. However, during filming, the actor overestimated and actually knocked out Randall. The shot was so well done, it was used in the film. See more »
A party line phone would not ring when any phone on the line was off-hook. To call the other phone on your line, you had to dial a special code and then hang up and wait for your phone to stop ringing, indicating that the other party had answered. This is not how Jan Morrow does it. See more »
[on the phone pretending to be Rex]
Am I gonna see you tonight?
I'd love to Rex, but I already have a date.
A client. You don't know him. Jonathan Forbes.
Of course, you're not the kind of girl who would break a date.
No I'm not.
And I ain't the kinda guy who'd ask you to.
I know you're not.
I'll pick you up at 8.
I'll be ready.
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As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows' followed by 'not quite' 'not quite' 'not quite' 'not quite' stacked vertically on four pillows. See more »
This smart and sassy sex comedy was made in 1959 but it could just as easily have been made in 1939 and the roles played here by Doris Day and Rock Hudson could have been played by Irene Dunne and Cary Grant. Michael Gordon's direction is serviceable at best but it has a likable Oscar-winning script by Russell Rouse, Maurice Richlin, Stanley Shapiro and Clarence Greene that makes the most of it's premise of the mismatched couple who find romance in the most unlikely of farcial situations.
Day is starchy and frigid but Hudson is immensely likable and displays a real comic flair. There is a gay joke at the expense of the Hudson character and knowing what we know now we might well ask how much of an 'in-joke' this really was and just who was in on the joke. The film was a huge success and re-vitalized Day's career in non-musical roles. Tony Randall's character of the slightly effete millionaire who is in love with Day is not unlike David Hyde Pierce's Niles in "Frasier" and you can see some of the best "Frasier" scripts in some of the situations here. Influential or what?
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