Pillow Talk (1959) 7.3
A man and woman share a telephone line and despise each other, but then he has fun by romancing her with his voice disguised. Director:Michael Gordon |
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Pillow Talk (1959) 7.3
A man and woman share a telephone line and despise each other, but then he has fun by romancing her with his voice disguised. Director:Michael Gordon |
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Rock Hudson | ... |
Brad Allen
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| Doris Day | ... | ||
| Tony Randall | ... | ||
| Thelma Ritter | ... |
Alma
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| Nick Adams | ... |
Tony Walters
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Julia Meade | ... |
Marie
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| Allen Jenkins | ... |
Harry
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| Marcel Dalio | ... |
Pierot
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Lee Patrick | ... |
Mrs. Walters
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Mary McCarty | ... |
Nurse Resnick
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Alex Gerry | ... |
Dr. Maxwell
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| Hayden Rorke | ... |
Mr. Conrad
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Valerie Allen | ... |
Eileen
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Jacqueline Beer | ... |
Yvette
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Arlen Stuart | ... |
Tilda
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In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is. Written by Claudio Carvalho, Rio de Janeiro, Brazil
So there I was, in my sick-bed when this film comes on. I start to watch, having never seen it before, and to my surprise, find myself laughing...out loud.
I have never really been a fan of either Doris Day or Rock Hudson, but I did enjoy this piece of fluff. And in our modern times when comedies currently released in the cinema can hardly raise a smile, let alone a laugh, I found this a pure delight. So the sexual politics maybe a little outdated, but there were some beautifully timed comedy set-pieces: The moment Doris Day discovers the real identity of Hudson's character has one of the best use of music I have seen in a movie since the Warner Bros cartoons!
A film that I didn't think I would enjoy, but was completely bowled over by.