Nuclear war in the United States is portrayed in a realistic and believable manner. The story is told through the eyes of a woman who is struggling to take care of her family. The entire ... See full summary »
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David Lee Smith,
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Written by
Rod Crawford <firstname.lastname@example.org>
The only US Nuclear submarine with the hull number 623 was the SSBN Nathan Hale, a ballistic missile submarine. See more »
At the very beginning of the film, a radio announcer is heard reporting that no life survives anywhere but Australia. Later Admiral Bridie suggests that it might be possible for life to continue in Antarctica, indicating that that continent is also not yet affected by radiation. In any event, the basic premise - that Australia would still harbor life while every other site on the globe has been destroyed or rendered lifeless - including, among other places, New Zealand, farther south and much less of a target than Australia would be - is illogical and physically a virtual impossibility. (By contrast, in the novel the entire Southern Hemisphere is untouched by the atomic war itself, though the radioactivity gradually drifts southward.) See more »
"On The Beach", despite it's heavy subject of a nuclear holocaust wiping out all human life, succeeds because Stanley Kramer is mercifully more restrained and less pretentious than he would later be in "Inherit The Wind" and "Judgment At Nuremberg", which are memorable more for their polemics than their characters, in my opinion. Except for one minor speech by Fred Astaire at one point (which as the previous reviewer noted is somewhat ironic in light of the fact that the very thing Astaire rails against, the idea that large nuclear stockpiles could keep the peace, turned out to be absolutely true) the film is for the most part about people and how they react to the knowledge that their world and their lives will soon come to an end. This is what makes the film so compelling as far as I'm concerned. The cast is excellent, with fine performances by Astaire (his first non-musical part), Anthony Perkins and Gregory Peck. But the real strength of the movie is Ava Gardner's touching performance as the lonely, alcoholic Moira Davidson who manages for one brief moment before the end to find true love with Peck. Having read much about her life, there is something almost hauntingly autobiographic in Gardner's portrayal, and that only adds to the movie's overall poignance.
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