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A small town man inherits a significant fortune and takes his family to New York City. Urban culture shock takes the form of strange ways and oddball characters Based on Ring Lardner's novel "The Big Town."
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Neil Patrick Harris,
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Written by
Rod Crawford <email@example.com>
When the film begins, it is, according to the calendar on the Holmes's wall, January 1964, and later that day, when Peter asks Admiral Bridie how long they have until the radiation arrives in Melbourne, the Admiral replies "about five months" - which would mean sometime in June. Yet later, when Julian tells Moira he's going to enter the auto race, he says it'll be held on "the 6th of August" - by which time, according to what was said at the start of the film , they would have all been dead for two months. See more »
The Cold War aspects of this movie may be a bit dated, but for those of us of a certain age it is a reminder of the fears we lived under at that time. In retrospect, it may be that Julian was wrong: it may have indeed been the very presence of these terrible weapons that prevented a third world war.
In any case, that aspect of the story never overshadows the movie's underlying theme, which is, rather, how each of us views the sum of our lives as our mortal end approaches. Are we alone? Have we connected with anyone? Have we failed? Have we loved? Have we been loved?
Color would have been all wrong for this essentially b&w story. Superb performances from Gregory Peck, Ava Gardner, Fred Astaire and the pre-Norman Bates Anthony Perkins. A fine bit as well by John Tate as the old admiral("to a blind, blind world").
A mere cold-war nuclear destruction movie would leave one merely frightened at the end. The fact that this movie leaves you with an almost unbearable feeling of terrible sadness is a testament to the human power of Nevil Shute's book, as well as to the fine script and Kramer's superb direction.
One of the most depressing movies ever made, but a truly great one.
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