R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. ... See full summary »
Father Rivard is a priest in a small, economically depressed coal mining town. Working on what he thinks is a "controversial" work, he lives with the brutal lives of his poor parishioners, ... See full summary »
Dick Van Dyke,
It's oil boom time in Oklahoma and Lena Doyle, a hard-bitten, cyncial feminist has a fight on her hands: the big oil companies don't like the fact that she's working a potentially ... See full summary »
The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon,... See full summary »
Post WWII yarn about a young GI abducted by the Soviets in West Berlin and hauled off to the East. His recovery gets complicated as Colonel Steve Van Dyke (Peck) tries to sort out the ... See full summary »
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Written by
Rod Crawford <email@example.com>
According to Philip R. Davey, author of the book "When Hollywood Came to Melbourne: The Story of the Making of Stanley Kramer's 'On The Beach'", director Stanley Kramer experienced many problems with the thousands of bathers who stood in shoulder-deep water to watch the proceedings, and who applauded the cast after each take. Their enthusiasm was gratifying in this respect if not in others, such as when thousands of people began crowding forward to get a closer look at Ava Gardner, they repeatedly moved into camera range, thus necessitating many frustrating retakes. See more »
When the submarine is in San Diego it is broad daylight. Someone says that the time in Melbourne is 15:00. (3 PM). Since San Diego time is either five or seven hours later (depending on the time of year and allowing for daylight saving), it should already be dark in San Diego. See more »
We are all on that beach, on the thin line between life and death.
And the essence of our lives is expressed in the way we treat each other under the implacable threat of imminent mortality. As Ava Gardner's character says, at the penultimate moment of love's farewell, "It's been nice, Dwight Lionel. It's been everything." And what she says on her beach is true for every last one of us, on ours.
The primary power of this great movie to me is how well it conveys the idea that for us, on this beach, love and tender kindness are all that matter in the end, and the end is always near. The sheer kindness that Ava and Gregory's characters express for each other is surely the key element of their triumphant relationship.
The moment in which their relationship most completely triumphs, of course, occurs at the Narbethong Hotel. "On The Beach" achieves a cinematic moment of genius when the chorus singing "Waltzing Matilda" changes from a rowdy crowd of drunks to a magnificently harmonious group of fine male voices. As the sheer beauty of the music overwhelms us, it also overwhelms our characters, and we all unite together in a sublime moment of awareness that true love and kindness give us our only victory over imminent death. "You'll never take me alive," says the ghost.
The way Gregory Peck's character shifts from fumbling with the fire to turning toward Ava as the music inspires transcendence, and the way Ava smiles at him, make this scene unforgettably great.
Nearly as wonderful is the scene in which Ava's character learns that the Sawfish will be leaving, with her captain at the helm. She will have to face her death alone. She doesn't waste a moment in argument or recrimination, but expresses the fullness of her love for him and her great courage when she accepts his decision and thanks him: "..it's been everything." And then: "oh, I'm so frightened." This moment is one that I take to heart. It shows the love and courage I wish to have "when the time comes."
There is still time, brothers and sisters. But we are all on the beach.
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