Well, the world has finally managed to blow itself up. Only Australia has been spared from nuclear destruction and a gigantic wave of radiation is floating in on the breezes. Only two ... See full summary »
R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. ... See full summary »
Father Rivard is a priest in a small, economically depressed coal mining town. Working on what he thinks is a "controversial" work, he lives with the brutal lives of his poor parishioners, ... See full summary »
Dick Van Dyke,
It's oil boom time in Oklahoma and Lena Doyle, a hard-bitten, cyncial feminist has a fight on her hands: the big oil companies don't like the fact that she's working a potentially ... See full summary »
The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon,... See full summary »
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up... See full summary »
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Written by
Rod Crawford <email@example.com>
The U.S. Department of Defense and the United States Navy declined to cooperate in the production of this film, including access to a nuclear-powered submarine, which forced the film production to use a non-nuclear, diesel-electric Royal Navy submarine, HMS Andrew (RN submarines were based in Australia until 1967 when the RAN commissioned its own submarines). See more »
Near the end of the film when Moira is watching the Sawfish leaving Port Phillip Bay, the speed of the boat in the tight shots from the top of the sail doesn't correlate with the speed of the boat in the wide shot, seen from Moira's perspective from ashore. See more »
We are all on that beach, on the thin line between life and death.
And the essence of our lives is expressed in the way we treat each other under the implacable threat of imminent mortality. As Ava Gardner's character says, at the penultimate moment of love's farewell, "It's been nice, Dwight Lionel. It's been everything." And what she says on her beach is true for every last one of us, on ours.
The primary power of this great movie to me is how well it conveys the idea that for us, on this beach, love and tender kindness are all that matter in the end, and the end is always near. The sheer kindness that Ava and Gregory's characters express for each other is surely the key element of their triumphant relationship.
The moment in which their relationship most completely triumphs, of course, occurs at the Narbethong Hotel. "On The Beach" achieves a cinematic moment of genius when the chorus singing "Waltzing Matilda" changes from a rowdy crowd of drunks to a magnificently harmonious group of fine male voices. As the sheer beauty of the music overwhelms us, it also overwhelms our characters, and we all unite together in a sublime moment of awareness that true love and kindness give us our only victory over imminent death. "You'll never take me alive," says the ghost.
The way Gregory Peck's character shifts from fumbling with the fire to turning toward Ava as the music inspires transcendence, and the way Ava smiles at him, make this scene unforgettably great.
Nearly as wonderful is the scene in which Ava's character learns that the Sawfish will be leaving, with her captain at the helm. She will have to face her death alone. She doesn't waste a moment in argument or recrimination, but expresses the fullness of her love for him and her great courage when she accepts his decision and thanks him: "..it's been everything." And then: "oh, I'm so frightened." This moment is one that I take to heart. It shows the love and courage I wish to have "when the time comes."
There is still time, brothers and sisters. But we are all on the beach.
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