Well, the world has finally managed to blow itself up. Only Australia has been spared from nuclear destruction and a gigantic wave of radiation is floating in on the breezes. Only two ... See full summary »
At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up... See full summary »
In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Written by
Rod Crawford <firstname.lastname@example.org>
The movie was shot in part in Berwick, a (then) small town in the suburbs of Melbourne, Australia. Some streets which were being established during this time were named after people involved in the film. Some examples are: Gardner Street (Ava Gardner), Shute Avenue (Nevil Shute) and Kramer Drive (Stanley Kramer). See more »
As has been pointed out in another "Goof", Peter's appointment with Admiral Bridie is for 11:00, yet when he enters Bridie's office the clock on the wall reads 10:04. In addition to this error, throughout Peter's meeting with the Admiral, followed by the Admiral's subsequent exchange with Osgood, the time on the clock never changes from 10:04, though several minutes have elapsed. See more »
The French title is "le dernier rivage"(the last shore)The intellectuals dismiss this movie in France and I've always thought they were wrong.Ava Gardner had never been better with the eventual exception of Huston's "night of the iguana".My favorite part is the central one:one of the soldiers tries to find the cause for the strange Morse signals.He crosses bleak dead San Francisco harbor (the camera takes prodigious high angle shots of him,making us share his loneliness and his hope against hope)Hope that was to be short-lived!What a symbol,this equivalent of a bottle thrown into the sea!So few special effects,ans so much emotion.Stanley Kramer's peak.
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