7.9/10
4,726
33 user 52 critic

Good Morning (1959)

Ohayô (original title)
Not Rated | | Comedy, Drama | February 1962 (USA)
Two boys begin a silence strike to press their parents into buying them a television set.

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Cast

Cast overview, first billed only:
...
Heiichirô Fukui
...
Setsuko Arita
...
Keitarô Hayashi
Kuniko Miyake ...
Tamiko Hayashi
Haruko Sugimura ...
Kikue Haraguchi
Kôji Shitara ...
Minoru Hayashi
Masahiko Shimazu ...
Isamu Hayashi
Kyôko Izumi ...
Midori Maruyama
Toyo Takahashi ...
Shige Ôkubo
Sadako Sawamura ...
Kayoko Fukui
Eijirô Tôno ...
Tomizawa
Teruko Nagaoka ...
Toyoko Tomizawa
Eiko Miyoshi ...
Mitsue Haraguchi
Haruo Tanaka ...
Haraguchi
Akira Ôizumi ...
Akira Maruyama
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Storyline

This movie takes a look at a Westernized suburban area in Japan in the late '50s. It focuses mainly on the daily lives of a small community and the way its members interact. It also demonstrates the power of oral communication and the way in which small talk acts as a lubricant for our daily lives. Written by <PastaQueen2@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

February 1962 (USA)  »

Also Known As:

Good Morning  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Yasujirô Ozu: [movie posters] Ozu pays tribute to his cinematic influences by putting all kinds of film posters all over the wall in his films. In this movie, there are two posters, one of The Defiant Ones (1958) (at 08:30) and one of The Lovers (1958) (at 08:07), both at the neighbors' house. See more »

Quotes

Isamu: I love you.
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Connections

Referenced in Battle Royale (2000) See more »

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User Reviews

Light & Entertaining, Yet Rather Perceptive
22 November 2004 | by (Ohio) – See all my reviews

While somewhat lighter than most of Ozu's features, this is still a rather perceptive film that is also entertaining to watch. The situation and the characters are all straightforward, yet Ozu's expert eye sees plenty of things worth considering, and each simple story development has a purpose. If the material remains generally lightweight when compared to some of his other movies, it still has the same thoughtful, low-key touch and genuinely human characters.

The young boys drive much of the story in this one, and they are very believable, whether in their petulant responses to parental authority or in their schoolboy fads. Some of the latter can be slightly off-putting at times, but then such things do rather ring true with the nature of boys at that stage of their lives.

The cast is quite large, so that none of the characters gets a lot more screen time than any of the others, yet somehow all of them not only come alive, but get some defining moments. Most of the adult characters are simple, yet easy to care about, and there are several good performances. The grandmother character and the aunt of the two brothers are probably the most interesting of the characters, yet all of them have a purpose.

As is usually the case with Ozu's movies, you can watch it a second time and see additional detail in the characters' relationships and dialogue. This time, the issues involved are not as significant as usual, yet the simple plot provides some insights into the ways that families and neighbors communicate with one another and understand one another. It's probably more entertaining than enlightening, but yet there is some substance as well.


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