Good Morning (1959)
"Ohayô" (original title)

Not Rated  |   |  Comedy, Drama  |  February 1962 (USA)
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Ratings: 7.9/10 from 4,333 users  
Reviews: 31 user | 50 critic

Two boys begin a silence strike to press their parents into buying them a television set.


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Cast overview, first billed only:
Keiji Sada ...
Heiichirô Fukui
Setsuko Arita
Keitarô Hayashi
Kuniko Miyake ...
Tamiko Hayashi
Haruko Sugimura ...
Kikue Haraguchi
Kôji Shitara ...
Minoru Hayashi
Masahiko Shimazu ...
Isamu Hayashi
Kyôko Izumi ...
Midori Maruyama
Toyo Takahashi ...
Shige Ôkubo
Sadako Sawamura ...
Kayoko Fukui
Eijirô Tôno ...
Teruko Nagaoka ...
Toyoko Tomizawa
Eiko Miyoshi ...
Mitsue Haraguchi
Haruo Tanaka ...
Akira Ôizumi ...
Akira Maruyama


This movie takes a look at a very Westernized subarban Japan in the late 50's. It focuses mainly on the daily lives of a small community and the way its members interact. It also demonstrates the power of speech and the way in which small talk acts as a lubricant for our daily lives. Written by <>

Plot Summary | Plot Synopsis


Comedy | Drama


Not Rated | See all certifications »




Release Date:

February 1962 (USA)  »

Also Known As:

Good Morning  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
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Did You Know?


Yasujirô Ozu:  [movie posters]  Ozu pays tribute to his cinematic influences by putting all kinds of film posters all over the wall in his films. In this movie, there are two posters, one of The Defiant Ones (1958) (at 08:30) and one of The Lovers (1958) (at 08:07), both at the neighbors' house. See more »


Isamu: I love you.
See more »


References The Lovers (1958) See more »

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User Reviews

A Funny and Extremely Serious Comedy
20 December 2005 | by (United States) – See all my reviews

For viewers who have seen only one or two of Ozu's statelier films -- say, "Tokyo Story" or "Equinox Flower" -- "Good Morning" will be a surprise. Two children take a vow of silence to coerce their parents into buying a television set: that's pretty much the whole plot. But what happens as a result affects almost every aspect of life in the nondescript, gossipy, elbow-to-elbow suburb in which the boys' family lives.

This is a comedy, and like all good comedies it's very serious. The boys' act of rebellion is very un-Japanese, and it threatens many of the politely ritualistic social behaviors that mask and deflect the tensions in Japanese society. Whole alliances among the village's women teeter and threaten to topple. The family's authority structure is upended, with the all-powerful father crumbling against the stubborn silence of two little boys.

What wins in the end is love -- or rather (Ozu must have found this particularly funny) love and television. The resolution will probably tear you up (it has brought moisture to the eyes of everyone I've seen it with) but it represents enormous changes in Japanese society -- the collapse of patriarchal authority, the invasion of foreign culture, and especially English-language culture, and the inexorable rise of that great leveler of aesthetics, television. Ozu saw the future, and he wasn't in it.

So naturally, he presents all this in a gentle, even sweet-natured comedy. There may be greater Ozu films, but it's hard to think of one I actually like more than "Good Morning."

12 of 13 people found this review helpful.  Was this review helpful to you?

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