Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount. Written by
David Levene <D.S.Levene@durham.ac.uk>
French director Jean-Pierre Melville confessed that he owned a 35mm copy of this film and watched it more than eighty times. See more »
As Robert Ryan first drives the souped up Chevy wagon, we hear him grind the gears. Later, as we watch the speedometer climb to 100 MPH, we see the left side of the Powerglide shift quadrant on the steering column. Automatic transmissions don't make gear grinding noises. See more »
I'll kill you and everything you own!
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Odds Against Tomorrow is a sharp little Black-and-White noir caper movie. Robert Ryan is very good as a southern accented hateful bigot. He's teamed with the sharp dressed, compulsive gambler Harry Belafonte. Belafonte financed the movie. No doubt that's why the bouncy jazz soundtrack is so good. The movie's pairing of the two builds to an explosive finale following the heist that goes about as wrong as it could. Also starring Ed Begley is the leader of the gang. He's also excellent as the one man keeping the caper on track and keeping the two crooks from killing each other.
Here's what Begley says after one of Ryan's racial slurs:
"Don't beat out that Civil War jazz here, Slater! We're all in this together, each man equal. And we're taking care of each other. It's one big play, our one and only chance to grab stakes forever. And I don't want to hear what your grandpappy thought on the old farm down in Oklahoma! You got it?"
A worthwhile caper for fans of noir or Belafonte.
Influenced by the more comic The Asphalt Jungle
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