Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves ... See full summary »
Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount. Written by
David Levene <D.S.Levene@durham.ac.uk>
The last film in standard aspect ratio to be made by Robert Wise. See more »
As Robert Ryan first drives the souped up Chevy wagon, we hear him grind the gears. Later, as we watch the speedometer climb to 100 MPH, we see the left side of the Powerglide shift quadrant on the steering column. Automatic transmissions don't make gear grinding noises. See more »
[after Slater insults Ingram]
Don't beat out that Civil War jazz here, Slater! We're all in this together, each man equal. And we're taking care of each other. It's one big play, our one and only chance to grab stakes forever. And I don't want to hear what your grandpappy thought on the old farm down in Oklahoma! You got it?
Well I'm with you, Dave. Like you said, it's just one role of the dice, doesn't matter what color they are. So's they come up seven.
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Odds Against Tomorrow is a sharp little Black-and-White noir caper movie. Robert Ryan is very good as a southern accented hateful bigot. He's teamed with the sharp dressed, compulsive gambler Harry Belafonte. Belafonte financed the movie. No doubt that's why the bouncy jazz soundtrack is so good. The movie's pairing of the two builds to an explosive finale following the heist that goes about as wrong as it could. Also starring Ed Begley is the leader of the gang. He's also excellent as the one man keeping the caper on track and keeping the two crooks from killing each other.
Here's what Begley says after one of Ryan's racial slurs:
"Don't beat out that Civil War jazz here, Slater! We're all in this together, each man equal. And we're taking care of each other. It's one big play, our one and only chance to grab stakes forever. And I don't want to hear what your grandpappy thought on the old farm down in Oklahoma! You got it?"
A worthwhile caper for fans of noir or Belafonte.
Influenced by the more comic The Asphalt Jungle
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