7.4/10
2,489
54 user 32 critic

Odds Against Tomorrow (1959)

Approved | | Crime, Drama, Thriller | November 1959 (USA)
Dave Burke hires two very different debt-burdened men for a bank robbery. Suspicion and prejudice threaten to end their partnership.

Director:

Writers:

(novel), (screenplay) | 2 more credits »
Reviews

On Disc

at Amazon

Nominated for 1 Golden Globe. See more awards »
Learn more

People who liked this also liked... 

Certificate: Passed Drama | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

An embittered, vengeful POW stalks his former commanding officer who betrayed his men's planned escape attempt from a Nazi prison camp.

Director: Fred Zinnemann
Stars: Van Heflin, Robert Ryan, Janet Leigh
The Set-Up (1949)
Crime | Film-Noir | Sport
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.

Director: Robert Wise
Stars: Robert Ryan, Audrey Totter, George Tobias
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Rough city cop Jim Wilson is disciplined by his captain and is sent upstate, to a snowy mountain town, to help the local sheriff solve a murder case.

Directors: Nicholas Ray, Ida Lupino
Stars: Ida Lupino, Robert Ryan, Ward Bond
The Prowler (1951)
Drama | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

When Susan Gilvray reports a prowler outside her house police officer Webb Garwood investigates and sparks fly. If only her husband wasn't in the way.

Director: Joseph Losey
Stars: Van Heflin, Evelyn Keyes, John Maxwell
Force of Evil (1948)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An unethical lawyer, with an older brother he wants to help, becomes a partner with a client in the numbers racket.

Director: Abraham Polonsky
Stars: John Garfield, Thomas Gomez, Marie Windsor
Crime Wave (1953)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter.

Director: André De Toth
Stars: Gene Nelson, Sterling Hayden, Phyllis Kirk
Raw Deal (1948)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Joe Sullivan has taken the rap for Rick who double-crosses him with a flawed escape plan and other means intended to get rid of him.

Director: Anthony Mann
Stars: Dennis O'Keefe, Claire Trevor, Marsha Hunt
Born to Kill (1947)
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A calculating divorcée risks her chances at wealth and security with a man she doesn't love by getting involved with the hotheaded murderer romancing her foster sister.

Director: Robert Wise
Stars: Claire Trevor, Lawrence Tierney, Walter Slezak
Road House (1948)
Certificate: Passed Action | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A night club owner becomes infatuated with a torch singer and frames his best friend/manager for embezzlement when the chanteuse falls in love with him.

Director: Jean Negulesco
Stars: Ida Lupino, Celeste Holm, Richard Widmark
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

The rise and fall of Stanton Carlisle, a mentalist whose lies and deceit prove to be his downfall.

Director: Edmund Goulding
Stars: Tyrone Power, Joan Blondell, Coleen Gray
Human Desire (1954)
Drama | Film-Noir | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A Korean War vet returns to his job as a railroad engineer and becomes involved in a sordid affair with a co-worker's wife and murder.

Director: Fritz Lang
Stars: Glenn Ford, Gloria Grahame, Broderick Crawford
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7/10 X  

The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick ... See full summary »

Director: John Berry
Stars: John Garfield, Shelley Winters, Wallace Ford
Edit

Cast

Complete credited cast:
...
...
...
...
...
Helen
...
Bacco
Kim Hamilton ...
Ruth Ingram
Mae Barnes ...
Annie
Richard Bright ...
Coco
Carmen De Lavallade ...
...
Moriarty
Lois Thorne ...
Eadie Ingram
...
Soldier in Bar
...
Girl in Bar
Allen Nourse ...
Melton Police Chief
Edit

Storyline

Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Add Synopsis

Taglines:

This Isn't A Story...It's An Explosion! See more »

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

November 1959 (USA)  »

Also Known As:

Wenig Chancen für morgen  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(RCA)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

French director Jean-Pierre Melville confessed that he owned a 35mm copy of this film and watched it more than eighty times. See more »

Goofs

Early in the film when Johnny gives Burke a ride downtown he parks directly behind a 1958 Chevrolet. In the next shot with Burke now out of Johnny's car, the parked car in front is now a 1959 Chevrolet. See more »

Quotes

Earl Slater: What you doin' with such a big ol' dog in New York?
Dave Burke: Never had a wife.
See more »

Connections

Featured in Sing Your Song (2011) See more »

Soundtracks

My Baby's Not Around
Written by Harry Belafonte and Milton Okun
Performed by Harry Belafonte
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Handsome Harry, Rotten Robert and Big Ed
3 May 2003 | by (brighton, ma) – See all my reviews

Odds Against Tomorrow is a decent, somewhat unimaginative crime picture with a message. It's mostly about three man who plan a robbery, and their reasons why. Robert Wise directed, and Harry Belafonte was the star-producer. There's an unfortunate air of deja vu about the picture, as this kind of story had become all too common by the time it was made. Indeed, director Robert Wise had made crime movies before, and had worked with Robert Ryan before, too, on the excellent The Set-Up. This one was filmed mostly on location in New York, and nicely reflects life at the lower but not quite lowest depths of that city.

It's worth seeing for the acting, which is good much of the time, and on occasion excellent. Belafonte's performance as a compulsive gambler is pleasingly cool and refined, like everything he does. I found it difficult to accept him as a loser, though. He seemed too good looking. There's a sharp rather than forlorn edge to him, and had a white actor been cast instead it would have been someone like Jack Klugman. His miscasting not withstanding, Belafonte manages to more than hold his own with his co-stars, not, I would imagine, an easy thing to do. Robert Ryan is the sociopath of the piece, and he'd perhaps been down this road once too often. In his peak years,--the late forties and early fifties--Ryan was one of the best bad men in the movies. He's still pretty good here, but a bit long in the tooth to be punching out Wayne Rogers in a bar, since he's old enough to be Rogers' father. Ryan aged badly, and his somewhat dissipated look makes him less intimidating than he ought to be. The key to his character's nastiness is his racism, which is laid on a bit heavy at times. Why this Southern redneck is living in a city where he is surrounded by the kinds of people he despises is never made clear. I wish it had been.

What saved the movie for me is Ed Begley's performance as the ex-cop who plans the robbery. Begley was one of the best American actors in the business at this time. He was for various personal reasons a late bloomer, and he didn't come into his own in films and on television until he was well into his fifties. He shows here a keen understanding of the sort of man toward whom life has been cruel, personally and professionally, and he gives a performance, smart and without a trace of self-pity, worthy of Eugene O'Neill. His work is vastly superior to the film itself, and he makes the movie worth seeing. Begley was one of a handful of actors who could singlehandedly make a film come alive, and who made too few movies worthy of him. While certain gifted actors,--John Malkovich, Tommy Lee Jones--get more than their share of opportunities to shine, Begley belongs to the group that got too few chances. I think of Sam Jaffe, Laird Cregar and James Anderson, actors whom I would like to have seen do many more films than they made. Begley makes this one worth seeing, and he singlehandedly lifts it up in quality, almost to the level of tragedy.


37 of 46 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?