Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's... See full summary »
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
T, as most of his friends, lives in a self-constructed 'house', built on top of an old building in the city. Their one passion is 'combat'. Combat is a dance/streetfight during which the ... See full summary »
After the death of her father and the loss of his fortune, Selina takes a job teaching school in the Dutch community of New Holland. She stays with the Pools and teaches young Roelf piano. ... See full summary »
A lawyer who is planning to run for District Attorney accidentally kills a gangster who owns the nightclub where the attorney's girlfriend is a singer. Although he manages to cover up his ... See full summary »
In occupied France during the Franco-Prussian War, a young French laundress shares a coach ride with several of her condescending social superiors. But when a Prussian officer holds the ... See full summary »
Enviromentalist Anne Richards goes to Washington D. C. to fight for getting legislation passed to save the last remaining sanctuary of the almost-extinct California Condor. She enlists the ... See full summary »
Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount. Written by
David Levene <D.S.Levene@durham.ac.uk>
The score was written by The Modern Jazz Quartet's pianist, John Lewis. One of the cues, the self-explanatory "Skating in Central Park," became a regular part of the MJQ's repertoire, and was also reused for a similar scene in "Little Murders" (1971). See more »
Early in the film when Johnny gives Burke a ride downtown he parks directly behind a 1958 Chevrolet. In the next shot with Burke now out of Johnny's car, the parked car in front is now a 1959 Chevrolet. See more »
[after Slater insults Ingram]
Don't beat out that Civil War jazz here, Slater! We're all in this together, each man equal. And we're taking care of each other. It's one big play, our one and only chance to grab stakes forever. And I don't want to hear what your grandpappy thought on the old farm down in Oklahoma! You got it?
Well I'm with you, Dave. Like you said, it's just one role of the dice, doesn't matter what color they are. So's they come up seven.
See more »
Good low budget heist film. Ryan's character is one of the ugliest portrayals of a white racist in film. Belafonte's character is one of the most multi-faceted and complex potrayals of an African American up until that time, and the performance doesn't date at all. Wise keeps the pacing taut and the suspense high. There's great black and white location shooting in New York City and upstate in Hudson, New York. Other things of interest: it's written by black-listed Abraham Polonsky under a pseudonym (check out his great "Force of Evil"); Cicely Tyson appears in a bit part; Richard Bright portrays a pretty overt homosexual for the time; early use of a zoom lens and infrared photography; edited by Dede Allen; some interiors shot at the old Gold Medal Studios in the Bronx.
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