In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, expecting to work as nun in Congo with tropical diseases. She says good-bye to her sisters Louise and Marie; to her brother Pierre; and to her beloved father, and subjects herself to the stringent rules of the retrograde institution, including interior silent and excessive humbleness and humiliation. After a long period working in a mental institution, Gaby is finally assigned to go to Congo, where she works with the Atheist and cynical, but brilliant, Dr. Fortunati. Sister Luke proves to be very efficient nurse and assistant, and Dr. Fortunati miraculous heals her tuberculosis. Years later, she is ordered to return to Belgium and when her motherland is invaded by the Germans, she learns that her beloved father was murdered by the enemy while he was helping wounded members of the resistance. Sister ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Fred Zinnemann was strongly opposed to the studio's demand that there should be music over the final scene. Zinnemann felt that music would detract from the depth and grace of Audrey Hepburn's performance in this pivotal scene. Jack L. Warner felt otherwise but eventually relented. The scene remains one of the most memorable and famous from this acclaimed film, precisely for its restraint. When the film previewed in San Francisco with only Gregorian Chant as its score, Warner felt the results were disastrous, especially after the studio had gone to the expense of sending Waxman to Rome for three months. See more »
In the scene where they are making their vows, the priest blesses each one in Latin. The formula should be "et Spiritus Sancti" and not "et Spiritus Sanctus." See more »
"He that shall lose his life for me shall find it. If thou wilt be perfect, go sell what thou hast and give to the poor, and come follow me." Each sister shall understand that on entering the convent, she has made the sacrifice of her life to God.
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Honestly, if my family hadn't already owned this movie I probably would have past over it again and again without much hesitation. However, given the limited amount of movies I had to chose from, I decided to give this movie a fair shot. Wow. To think that I only viewed this movie out of desperation is embarrassing! The inner-struggle that Sr. Luke (Audrey Hepburn)undergoes from postulant to nun is incredibly human, not strictly religious. I thought, given the movie's topic, that I would be bored and lost, yet found myself completely in touch with the reality of her life. Its almost impossible not to become in touch with her character, especially once she reaches the Congo and faces the underplayed romantic tension between herself and Peter Finch. While I have absolutely no intention of suddenly becoming a nun or running off to the Congo, I will always be up for another viewing of this movie. So ignore the title and give this movie a chance!
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