Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore. Written by
Thornhill appears on the left side of the screen for almost the entire movie. See more »
When Thornhill escapes from the Mt. Rushmore house and runs over to the black Ford, he is shown opening the car door and just starting to get in while on the soundtrack the sounds of the door being closed and the ignition being turned on are heard. See more »
We'll get them. We'll throw the book at them. Assualt and kidnapping. Assault with a gun and a bourbon and a sports car. We'll get them.
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Right after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him! See more »
I've Grown Accustomed to Her Face
Music by Frederick Loewe
Lyrics by Alan Jay Lerner
Portion sung by Cary Grant (as "I've Grown Accustomed to Your Bourbon") as he's being seated behind the wheel of the Mercedes while drunk See more »
Roger Thornhill is an advertising man. However when he is kidnapped it is clear that he has been mistaken for someone else. When he tries to find out what's going he is framed for murder and sets out on a cross country run to survive. Along the way he meets danger, adventure and beauty in the shape of the mysterious Eve Kendall. However when he finds the truth he is drawn towards a final showdown with the dangerous Vandamm.
Rightly regarded as a classic and can more than compete with today's thrillers that too often rely on special effects to make up for the lack of genuine suspense. Here the plot requires a great deal of faith, but it is brought off with such style and energy that it is totally absorbing. The action is great and the several main scenes have become part of popular culture and are regularly spoofed on TV etc. The romance works as well and Thornhill and Kendall exchange plenty of good scenes.
The dialogue is great and the direction is faultless from Hitchcock. Many thrillers run over 2 hours - but only the good ones can stand up to repeated viewings. Northwest can take back to back viewings it is so good. The plot may have been put together as shooting went (as was the case with at least
one key scene) but it all stands together well. The acting is also perfect, Grant's rebirth as a thriller man is brilliant and is one of Hitchcock's best everyman characters. Marie-Saint is yet another dangerous blonde but is very good. James `The Voice' Mason is excellent, while Landau adds great homosexual subtext to his character. The ever present Leo G Carroll IS Mr Waverly but is still enjoyable and even support roles like Landis as Thornhill's mother is perfection!
Over 40 years on this film has barely dated. Hearing the music is enough to make me want to see it again, while the direction, set pieces, dialogue and performances are all pitch perfect. A wonderful thriller for young and old
no sex, no swearing, all thrills.
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