Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore. Written by
Ernest Lehman took a two-week research trip through New York, the United Nations, Glen Cove, Long Island, the 20th Century Limited, Chicago, the Ambassador East Hotel, and Mount Rushmore in order to convincingly plot his narrative. See more »
Cary Grant's stunt double is very obvious in the crop duster scene and the final scene on Mount Rushmore. See more »
[as the police carry Thornhill out of the Art Auction Room, Roger says to the thug who tried to kill Roger twice before in the picture]
I'm sorry old man. Too bad. Keep trying.
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Right after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him! See more »
From The Master of Suspense Came the Daddy of the Modern Adventure Thrillers
Many feel this is Alfred Hitchcock's greatest American movie, and I agree! NORTH BY NORTHWEST is the Hitchcock film to end all Hitch films, with all his pet themes covered with maximum wit, panache, and suspense, as well as a romance between Cary Grant and a soignée Eva Marie Saint that's as tender as it is sexy. Grant has never been more engaging and dashing (literally and figuratively :-), though the smoothly villainous James Mason nearly out-suaves him. My husband and I have joked that if Mason had played Thornhill, the film would have been over in mere moments. With all due respect to Grant, if the imperious, unshakably confident Mason asked the Glen Cove police, "Do you honestly believe that this happened the way you think it did?" they would immediately reply, "No, sir, you must be right, you're free to go, sorry we bothered you." :-) Also boasts a great early performance by a reptilian young Martin Landau as Mason's possessive henchman, as well as one of Oscar nominee Ernest Lehman's best screenplays (in fact, he borrowed liberally from it for his script for the film version of THE PRIZE starring Paul Newman) and one of Bernard Herrmann's finest scores. Anybody who wants to write or direct a chase thriller should watch NORTH BY NORTHWEST first to see how it's done!
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