A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.
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When a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants.
Director:
Alfred Hitchcock
Stars:
Laurence Olivier,
Joan Fontaine,
George Sanders
A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.
Director:
Michelangelo Antonioni
Stars:
Jack Nicholson,
Maria Schneider,
Jenny Runacre
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
A young Chicago advertising executive believes a woman he sees in a café is his long-lost love. His conviction leads to obsession, as he puts his life on hold to trail her.
In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.
Director:
Alfonso Cuarón
Stars:
Clive Owen,
Michael Caine,
Chiwetel Ejiofor
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore. Written by
garykmcd
In the scene after the auction, where Roger is taken into a police car, we clearly see that the inner parts of the car are mostly brown. However, in the following scene, where they arrive to Northwest station, the inside of the car is clearly gray. See more »
Quotes
Larry Wade:
[Referring to the drinks]
We've gotten a head start here, Mr. Thornhill.
Roger Thornhill:
That won't last long.
See more »
Crazy Credits
Right after his credit as director during the opening credits, Alfred Hitchcock is running toward the door of the city bus just as it slams shut on him! See more »
I can't quite understand how anyone can dislike Alfred Hitchcock's films. Personally, he's one of the few old school talents I find interesting and watchable, even if his work is dated and set in its era (the era when most sets were hopelessly phony). I guess you have to appreciate his themes - dysfunctional relationships between a man and his mother, flawed by essentially innocent men caught up in a web of intrigue, beautiful blonds, comments of authority figures, black humor, etc - to really appreciate Hitchcock.
Interestingly, James Stewart was Hitchcock's original choice for the role of Roger Thornhill, the hapless ad man who is mistaken for a spy who doesn't even exist to begin with and is chased half way across the country by villains and authorities for a murder he didn't commit. For one reason or another, Stewart was unavailable and the part went to Cary Grant instead. Grant seems better suited to the character and the situation than Stewart would have been, but I can easily picture Stewart being chased in the cornfield by the crop duster.
Like all Hitchcock films, there are hundreds of things that aren't realistic though set in the real world and lots of highly improbable stuff going on everywhere, but if you give it a chance you'll enjoy it and won't care. Don't miss Eva Marie Saint having to dub over a then lewd line about love, a full stomach and sex. The use of a crop duster may not be the most practical way to kill a man, but it's a great visual representation of the great Hitchcockian examination of "nowhere to run, nowhere to hide". The music and clinging to Mount Rushmore is also memorable. Did I mention the innuendo?
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I can't quite understand how anyone can dislike Alfred Hitchcock's films. Personally, he's one of the few old school talents I find interesting and watchable, even if his work is dated and set in its era (the era when most sets were hopelessly phony). I guess you have to appreciate his themes - dysfunctional relationships between a man and his mother, flawed by essentially innocent men caught up in a web of intrigue, beautiful blonds, comments of authority figures, black humor, etc - to really appreciate Hitchcock.
Interestingly, James Stewart was Hitchcock's original choice for the role of Roger Thornhill, the hapless ad man who is mistaken for a spy who doesn't even exist to begin with and is chased half way across the country by villains and authorities for a murder he didn't commit. For one reason or another, Stewart was unavailable and the part went to Cary Grant instead. Grant seems better suited to the character and the situation than Stewart would have been, but I can easily picture Stewart being chased in the cornfield by the crop duster.
Like all Hitchcock films, there are hundreds of things that aren't realistic though set in the real world and lots of highly improbable stuff going on everywhere, but if you give it a chance you'll enjoy it and won't care. Don't miss Eva Marie Saint having to dub over a then lewd line about love, a full stomach and sex. The use of a crop duster may not be the most practical way to kill a man, but it's a great visual representation of the great Hitchcockian examination of "nowhere to run, nowhere to hide". The music and clinging to Mount Rushmore is also memorable. Did I mention the innuendo?