Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
With her infant daughter Margaret Rose in tow, Georgette Thomas pulls up stakes from Tyler, Texas to head to Columbus, Texas to be reunited with her husband, Henry Thomas, who has just been... See full summary »
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
An English woman and her daughter enlist the aid of a cowboy to try and get their hardy hornless bull to mate with the longhorns of Texas, but have to overcome both greedy criminals and the natural elements.
Captain Tom Reynolds and his band of skilled O.S.S. operatives are in WWII Burma to train the Kachin natives in modern warfare. But jungle combat, particularly against a Japanese army as familiar with the terrain as the Kachin, is more grueling than Reynolds had reckoned. Some respite is found in the arms of beautiful Carla, but after Chinese rebels cross the border to loot and murder American soldiers, Reynolds abandons all notions of "military protocol" and seeks requital. Written by
Chris Stone <email@example.com>
Steve McQueen's role was originally going to be played by Sammy Davis Jr.. A feud had broken out between Davis and Frank Sinatra after Davis had claimed in a radio interview that he was a greater singer than Sinatra. Sinatra demanded he be dropped from the cast, and McQueen got the part. See more »
In the lounge scene where Capt. Reynolds punches and falls to the floor with Capt. Mortimer, Reynolds stands and buttons the top button on his tunic. The same button is seen buttoned and unbuttoned a few more times over the next minute. See more »
Nothing in this war makes sense. Why you expect it to make sense now?
An allied guerrilla unit led by Capt. Tom Reynolds (Frank Sinatra) deals with the Japanese army and warlord controlled Chinese troops out in the Burma jungle.
"In the hills of North Burma, gateway to the vast prize of Asia, less than a thousand Kachin warriors, fighting under American and British leadership of the O.S.S., held back 40,000 Japanese in the critical, early years of World War II. It has been said NEVER have free men everywhere owed so much to SO FEW".
Killer Warrants and The Unprecedented War.
Directed by John Sturges and featuring Steve McQueen, Charles Bronson, Peter Lawford, Brian Donlevy, Gina Lollobrigida, Richard Johnson and Paul Henreid. Never So Few it's fair to say has a iffy reputation, originally conceived as a rat pack war film, it has some great strengths and some annoying weaknesses. The story itself is great, a part of the war that deserves to have been portrayed on the big screen, but why the makers didn't exorcise the whole romantic thread remains not just a mystery, but nearly a film killer.
As lovely as Miss Lollobrigida is, her whole character arc, and the relationship with Sinatra's stoic Reynolds, is surplus to requirements. It serves absolutely no purpose to defining other characters or for narrative invention. This strand of the story carries the film to over two hours in length, without this strand it's a film of 90 minutes focusing on the brave souls who fought in the Burmese conflict. Which is what it should have been.
When dealing with the conflicts, both outer and inner, the film does excite. The wily Sturges knows his way around an action scene and all the efforts here are gripping. Cast are fine and dandy, with McQueen dominating his scenes, Johnson the class act on show, while Sinatra, once he gets rid of the fake beard, shows his knack for tortured emotion to the point you just can't help but root for him even when he's being pig-headed (not a stretch for old blue eyes of course).
Tech credits are mixed, the studio sets are easily spotted, but conversely so are the real and pleasing location sequences filmed in Ceylon. The Panavision photography (William H. Daniels) is beautiful, a Metrocolor treat, but Hugo Friedhofer unusually turns in a lifeless musical score. All told it's not hard to see why it's a film that divides opinions, it's very episodic and that romance drags it something terrible. But still strong merits exist and it at least gets the core of the real story out in the public domain. 6/10
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