Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
With her infant daughter Margaret Rose in tow, Georgette Thomas pulls up stakes from Tyler, Texas to head to Columbus, Texas to be reunited with her husband, Henry Thomas, who has just been... See full summary »
Captain Tom Reynolds and his band of skilled O.S.S. operatives are in WWII Burma to train the Kachin natives in modern warfare. But jungle combat, particularly against a Japanese army as familiar with the terrain as the Kachin, is more grueling than Reynolds had reckoned. Some respite is found in the arms of beautiful Carla, but after Chinese rebels cross the border to loot and murder American soldiers, Reynolds abandons all notions of "military protocol" and seeks requital. Written by
Chris Stone <email@example.com>
The airplane taxiing on the airfield in the movie is an actual WW II Japanese Nakajima KI-84 "Hayate" (code named 'Frank'), and was the equal of any allied fighter plane at the time. This aircraft is now on display at the Chiran Peace Museum for Kamikaze Pilots in Kagoshima Japan, and is the only surviving example of this type. See more »
At the beginning of this WWII film, supplies are parachuted to the troops. On several of the boxes, USAF was stenciled on the boxes. The United States Air Force was not named until 1947 and the stencil should have read USAAF (United States Army Air Force). See more »
Capt. Tom Reynolds:
[while checking in at the hotel, receiving an unexpected invite from Nikko Regas]
Well, we're invited to a party tonight. By Mr. Nikko Regas.
Capt. Danny De Mortimer:
[Suspicious about how Regas knew they were there]
And how did he know? There's something spooky about that man.
Capt. Tom Reynolds:
How can you say that? He's the squarest shooter on the road to Mandalay.
Capt. Danny De Mortimer:
I wish I had a copy of 'Who 's Who in India.' Or 'The Bombay Police Blotter.' I'd like to look up friend Regas.
Capt. Tom Reynolds:
Anybody who invites *us* to a party can't be all that bad. And...
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"Never So Few" fails in so many ways; as a treatment of the Burma campaign in World War II; as a tough-nosed action picture; as an involving melodrama; and most especially, as a vehicle for star Frank Sinatra.
Sinatra was too busy playing soldier and practicing his cool look to bother constructing an interesting character; a strange bitter vibe hangs over his performance. Oddly, it was another actor who managed to take the little "Never So Few" had to offer in the way of career advancement: Steve McQueen. Up to this point, he had done "The Blob" and TV, but his comfortable natural bearing around Sinatra's star wattage shows he could hold his own with the big boys, even when the script gave him little to work with.
McQueen is Sgt. Ringa, a jeep driver who finds himself drafted for more dangerous duty when commando leader Tom Reynolds (Sinatra) takes a shine to his street-smart ways. Reynolds leads a small band of Kachin fighters in the hilly jungles of Burma, continually harassing a Japanese force many times its size.
"A regular Abe Lincoln in North Burma" is what rich merchant Nikko Regas calls him. Regas is part of the other story in "Few", the man whose girl (Gina Lollabrigida) Reynolds wants. The exotic Lollabrigida and the world-weary chain-smoking Sinatra are clearly meant to invite comparisons to Rick and Ilsa, and Paul Henreid cements the impression by playing Nikko as much the same character he was in "Casablanca".
None of this comes together, though. In fact, the two parts fail to co-exist at all. You get 20 minutes of war followed by 40 minutes of earnest love talk, then back to the war. The war scenes are about as competently directed as an episode of "The Rat Patrol", with idiotically sequenced insert shots (like soldiers shooting up at people we then see falling in a river) and noble, servile Kachin dying with meek apologies to "Dua" Reynolds. War is hell for Tom, who loses both his monkey and his favorite gun caddy, a faithful Kachin who hands him a new automatic every time Reynolds empties a magazine on the enemy.
The romance is even worse. Sinatra and Lollabrigida have no chemistry, she can't act, and director John Sturges' idea of story advancement is to focus on her bustline and hope you don't notice the dialogue. And what dialogue!
Him: "I hanker for you alone."
Her: "Why don't you go back to the hills and play with your popguns!"
Henreid warns Lollabrigida he won't let her go then disappears for the rest of the movie, leaving Lollabrigida and Sinatra to kiss like dead fish in front of bad process shots.
The film generates a bit of interest an hour or so in, when Reynolds and his men discover the Japanese are not the only force they have to fight. But the resolution of this angle is both trite and ugly, involving the wholesale slaughter of captured prisoners while the camera focuses on Sinatra, looking so sad his previously disapproving medic (Peter Lawford, better than usual here) has to pat his shoulder to let him and the audience know it's alright.
McQueen at least mines his on-screen time to showcase his talents as an action man, and occasional scene stealer with the aid of handy props, like a slice of watermelon or a mortar. Competing with Charles Bronson, Brian Donlevy, and Richard Johnson as Reynolds' monocle-wearing British pal, McQueen hardly has to break a sweat.
The worst performance here is Sinatra's, who just drips with self-importance, whether wearing an ugly goatee (Mitch Miller must have really got to him) or trying to sound like Hemingway with stiff lines like: "You have tasted the pain of wound in combat." Sinatra was not just good but great in parts where he allowed himself to project insecurity. But too often, when permitted to coast, he gave performances like this one, showcasing the boor he could be in life from time to time.
"Never So Few" drags for more than two hours, long enough to listen to four of his Capitol albums. Guess which is a better investment of your time.
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