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The Mummy
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The Mummy (1959) More at IMDbPro »

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The Mummy -- Three English archaeologists find the tomb of an Egyptian high priestess buried nearly four thousand years before. They discover a guard who had been buried alive with her.

Overview

User Rating:
6.8/10   4,428 votes »
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Director:
Writer:
Jimmy Sangster (screenplay)
Contact:
View company contact information for The Mummy on IMDbPro.
Release Date:
16 December 1959 (USA) See more »
Genre:
Tagline:
Torn from the tomb to terrify the world! See more »
Plot:
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally... See more » | Add synopsis »
Plot Keywords:
User Reviews:
The best Mummy movie ever made See more (67 total) »

Cast

  (in credits order) (verified as complete)

Peter Cushing ... John Banning

Christopher Lee ... The Mummy / Kharis
Yvonne Furneaux ... Isobel / Ananka
Eddie Byrne ... Inspector Mulrooney
Felix Aylmer ... Stephen Banning
Raymond Huntley ... Joseph Whemple
George Pastell ... Mehemet Bey
Michael Ripper ... Poacher
George Woodbridge ... Police Constable
Harold Goodwin ... Pat
Denis Shaw ... Mike
Gerald Lawson ... Irish Customer

Willoughby Gray ... Dr. Reilly
John Stuart ... Coroner
David Browning ... Police Sergeant
Frank Sieman ... Bill
Stanley Meadows ... Attendant
Frank Singuineau ... Head Porter
rest of cast listed alphabetically:
James Clarke ... Priest (uncredited)
John Harrison ... Priest (uncredited)
Frederick Rawlings ... (uncredited)
Roy Stewart ... Flashback slave (uncredited)

Directed by
Terence Fisher 
 
Writing credits
Jimmy Sangster (screenplay)

Produced by
Michael Carreras .... producer
Anthony Nelson Keys .... associate producer (as Anthony Nelson-Keys)
 
Original Music by
Franz Reizenstein 
 
Cinematography by
Jack Asher (director of photography)
 
Film Editing by
Alfred Cox 
 
Casting by
Dorothy Holloway (uncredited)
 
Production Design by
Bernard Robinson 
 
Makeup Department
Roy Ashton .... makeup artist
Henry Montsash .... hair stylist
 
Production Management
Don Weeks .... production manager
 
Second Unit Director or Assistant Director
John Peverall .... assistant director
Hugh Harlow .... third assistant director (uncredited)
Tom Walls .... second assistant director (uncredited)
 
Art Department
Arthur Banks .... master plasterer (uncredited)
Charles Davis .... master carpenter (uncredited)
Eric Hillier .... props buyer (uncredited)
Mick Lyons .... construction manager (uncredited)
Don Mingaye .... assistant art director (uncredited)
Tom Money .... property master (uncredited)
Lawrence Wren .... master painter (uncredited)
 
Sound Department
Roy Hyde .... sound editor
Jock May .... sound recordist
Charles Bouvet .... sound maintenance (uncredited)
Claude Hitchcock .... sound department (uncredited)
Jim Perry .... boom operator (uncredited)
Alan Thorne .... sound camera operator (uncredited)
 
Special Effects by
Bill Warrington .... special effects
 
Stunts
Eddie Powell .... stunts (uncredited)
 
Camera and Electrical Department
Len Harris .... camera operator
Jack Curtis .... chief electrician (uncredited)
Tom Edwards .... still photographer (uncredited)
Alan McDonald .... clapper loader (uncredited)
Harry Oakes .... focus puller (uncredited)
 
Costume and Wardrobe Department
Molly Arbuthnot .... wardrobe mistress
Rosemary Burrows .... wardrobe assistant (uncredited)
 
Editorial Department
James Needs .... supervising editor
Chris Barnes .... assistant editor (uncredited)
 
Music Department
John Hollingsworth .... music supervisor
John Hollingsworth .... conductor (uncredited)
John Hollingsworth .... orchestrator (uncredited)
 
Other crew
Marjorie Lavelly .... continuity
Andrew Low .... technical adviser
Ken Gordon .... cashier (uncredited)
Arthur Kelly .... studio manager (uncredited)
Andrew Low .... egyptologist (uncredited)
Colin Reid .... publicist (uncredited)
Margaret Robinson .... mask maker: Egyptian masks (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
86 min | USA:88 min | USA:97 min (original release)
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.77 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Canada:PG | Finland:(Banned) (1960) | Netherlands:14 (original rating) | UK:X (original rating) | UK:PG (tv rating) | UK:PG (video rating) (1997) (2003) (2013) | USA:Unrated | West Germany:16

Did You Know?

Trivia:
Although intended as a remake of The Mummy (1932), the film's plot and most of its principle characters are taken from The Mummy's Hand (1940) (1940) and The Mummy's Tomb (1942). The 1932 film's famous and early scene of the sight of the mummy walking across the tomb floor driving a member of the archaeological team insane is recreated here but not seen in any of the 1940s series; the finale of The Mummy's Ghost (1944) is also interpolated into this picture's plot, albeit with a somewhat different outcome. Despite all this, there is no credit to any preexisting source material at all.See more »
Goofs:
Factual errors: There was no "Karnak" among Egypt's numerous deities. Karnak was a city, not a god.See more »
Quotes:
Poacher:I've seen the likes tonight that mortal eyes shouldn't look at.
Irish Customer:You've been around to Molly Grady's again.
See more »
Movie Connections:
Featured in Monster Mania (1997) (TV)See more »

FAQ

A what year is the story set?
What is 'The Mummy' about?
How does the movie end?
See more »
23 out of 26 people found the following review useful.
The best Mummy movie ever made, 10 August 2006
Author: m2mallory from California

The Mummy is the Rodney Dangerfield of classic monsters -- he gets no respect. But Hammer's sumptuous, beautifully filmed and acted treatment is as good as your going to find. It is also the most detailed mummy film around, with the recreation of its Egyptian tomb gorgeous and authentic. Christopher Lee is little short of brilliant in the thankless title role, actually managing to giving a compelling and at times touching performance through only his eyes and body language. Peter Cushing is superb as always (and was it a deliberate decision to make his character's lameness a wry twist on the fact that Kharis the mummy was always lame in the old Universal movies?), as is Hammer semi-regular George Pastell in the stereotypical mummy-controller-in-the-fez part. The supporting cast is also classier than usual for Hammer: Sir Felix Aylmer as Cushing's father is wonderful, aging amazingly convincingly and establishing himself as one of the great gibberers of the cinema; while Raymond Huntley is solid as Cushing's sensible uncle (and as London's first stage Dracula, one wonders what conversations he must have had on the set with Lee). Hammer regular Michael Ripper also has one of his best parts as a sodden eyewitness to the mummy's activities. Director Terrence Fisher (another Rodney Dangerfield) contributes many memorable touches, though probably none so effective as the agonizing sloooooooowwwwness with which the stone door of the secret chamber concealing the cursed Kharis closes, which emphasizes the horrific agony of living burial. Everything in this film works, and some elements, such as the photography and the excellent music score, exceed even Hammer's usually high standards. "The Mummy" might be the British studio's best film. It is certainly one of their best.

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