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The Mummy (1959)

 -  Horror  -  16 December 1959 (USA)
6.8
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Ratings: 6.8/10 from 3,887 users  
Reviews: 58 user | 48 critic

In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Yvonne Furneaux ...
Isobel / Ananka
Eddie Byrne ...
Inspector Mulrooney
Felix Aylmer ...
Raymond Huntley ...
George Pastell ...
Michael Ripper ...
Poacher
George Woodbridge ...
Police Constable
Harold Goodwin ...
Pat
Denis Shaw ...
Mike
Gerald Lawson ...
Irish Customer
...
Dr. Reilly
John Stuart ...
Coroner
David Browning ...
Police Sergeant
Edit

Storyline

In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later back in England a follower of the same Egyptian religion unleashes the mummy to exact grisly revenge on the despoilers of the sacred past. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

Fear Will Freeze You When You Face ... See more »

Genres:

Horror

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

16 December 1959 (USA)  »

Also Known As:

A Múmia  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Although intended as a remake of The Mummy (1932) (1932), the film's plot and most of its principle characters are taken from The Mummy's Hand (1940) (1940) and The Mummy's Tomb (1942) (1942). The 1932 film's famous and early scene of the sight of the mummy walking across the tomb floor driving a member of the archaeological team insane is recreated here but not seen in any of the 1940s series; the finale of 1944's The Mummy's Ghost (1944) is also interpolated into this picture's plot, albeit with a somewhat different outcome. Despite all this, there is no credit to any preexisting source material at all. See more »

Goofs

There was no "Karnak" among Egypt's numerous deities. Karnak was a city, not a god. See more »

Quotes

Poacher: I've seen the likes tonight that mortal eyes shouldn't look at.
Irish Customer: You've been around to Molly Grady's again.
See more »

Connections

Featured in Monster Mania (1997) See more »

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User Reviews

 
The best Mummy movie ever made
10 August 2006 | by (California) – See all my reviews

The Mummy is the Rodney Dangerfield of classic monsters -- he gets no respect. But Hammer's sumptuous, beautifully filmed and acted treatment is as good as your going to find. It is also the most detailed mummy film around, with the recreation of its Egyptian tomb gorgeous and authentic. Christopher Lee is little short of brilliant in the thankless title role, actually managing to giving a compelling and at times touching performance through only his eyes and body language. Peter Cushing is superb as always (and was it a deliberate decision to make his character's lameness a wry twist on the fact that Kharis the mummy was always lame in the old Universal movies?), as is Hammer semi-regular George Pastell in the stereotypical mummy-controller-in-the-fez part. The supporting cast is also classier than usual for Hammer: Sir Felix Aylmer as Cushing's father is wonderful, aging amazingly convincingly and establishing himself as one of the great gibberers of the cinema; while Raymond Huntley is solid as Cushing's sensible uncle (and as London's first stage Dracula, one wonders what conversations he must have had on the set with Lee). Hammer regular Michael Ripper also has one of his best parts as a sodden eyewitness to the mummy's activities. Director Terrence Fisher (another Rodney Dangerfield) contributes many memorable touches, though probably none so effective as the agonizing sloooooooowwwwness with which the stone door of the secret chamber concealing the cursed Kharis closes, which emphasizes the horrific agony of living burial. Everything in this film works, and some elements, such as the photography and the excellent music score, exceed even Hammer's usually high standards. "The Mummy" might be the British studio's best film. It is certainly one of their best.


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