
Middle of the Night (1959)
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- Approved
- 1h 58min
- Drama
- 20 May 1959 (France)
- Movie
- 1 win & 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Kim Novak | ... |
Betty Preisser
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Fredric March | ... |
Jerry Kingsley
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Glenda Farrell | ... |
Mrs. Mueller
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Jan Norris | ... |
Alice Mueller
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Lee Grant | ... |
Marilyn
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Effie Afton | ... |
Mrs. Herbert
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Lee Philips | ... |
George Preisser
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Edith Meiser | ... |
Evelyn Kingsley
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Joan Copeland | ... |
Lillian Englander
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Martin Balsam | ... |
Jack Englander
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David Ford | ... |
Paul Kingsley
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Audrey Peters | ... |
Elizabeth Kingsley
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Betty Walker | ... |
Rosalind Neiman
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Albert Dekker | ... |
Walter Lockman
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Rudy Bond | ... |
Gould
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Lou Gilbert | ... |
Sherman
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Dora Weissman | ... |
Lucy Lockman
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Lee Richardson | ... |
Joey Lockman
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Anna Berger | ... |
Caroline
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Alfred Leberfeld | ... |
Ellman
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Nelson Olmsted | ... |
Erskine
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Rest of cast listed alphabetically: | |||
Walter Mathews | ... |
Mickey Hilliard (uncredited)
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Directed by
Delbert Mann |
Written by
Paddy Chayefsky | ... | (screenplay) |
Paddy Chayefsky | ... | (play) |
Produced by
George Justin | ... | producer |
Music by
George Bassman |
Cinematography by
Joseph C. Brun | ... | (as Joseph Brun) |
Editing by
Carl Lerner |
Editorial Department
Jerry Michaels | ... | assistant editor |
Casting By
Everett Chambers |
Art Direction by
Ted Haworth | ... | (as Edward S. Haworth) |
Set Decoration by
Jack Wright Jr. |
Costume Design by
Frank L. Thompson |
Makeup Department
George Newman | ... | makeup artist |
Production Management
Steve Bono | ... | production manager (as Stephen Bono) |
Second Unit Director or Assistant Director
Charles H. Maguire | ... | assistant director |
Art Department
Leo Kerz | ... | assistant art director |
Sound Department
Richard Gramaglia | ... | sound |
Dick Vorisek | ... | sound (as Richard Vorisek) |
Camera and Electrical Department
Tom Browne | ... | grip |
Buddy Fortune | ... | gaffer |
Edward Knott | ... | gaffer |
Saul Midwall | ... | camera operator |
Costume and Wardrobe Department
Jean Louis | ... | clothes: Miss Novak |
Flo Transfield | ... | wardrobe |
Music Department
George Bassman | ... | conductor |
Script and Continuity Department
Marguerite James | ... | script supervisor |
Additional Crew
Everett Chambers | ... | dialogue supervisor |
Lionel Kaplan | ... | technical advisor |
Joshua Logan | ... | (as presented on Broadway by) |
Irving Temaner | ... | production coordinator |
Production Companies
Distributors
- Columbia Pictures (1959) (United States) (theatrical)
- Columbia Pictures Corporation (1959) (United Kingdom) (theatrical)
- Columbia Film (1959) (Sweden) (theatrical)
- Kamerafilm (1959) (Norway) (theatrical)
- Columbia (1959) (France) (theatrical)
- Columbia Film-Verleih (1959) (West Germany) (theatrical)
- Columbia Films (1959) (Japan) (theatrical)
- 1ère chaîne ORTF (1974) (France) (tv) (dubbed version)
- Sony Pictures Home Entertainment (2010) (United States) (DVD) (The Kim Novak Collection)
- A&R Productions (2013) (Italy) (DVD)
Special Effects
- Film Opticals (optical effects)
Other Companies
- Caroline Productions (services by arrangement with: Delbert Mann)
- RCA (sound recording)
Storyline
Plot Summary |
Fifty-six-year-old Jerry Kingsley (Frederic March), the co-owner/co-operator of Lock Lee Fashions, a New York-based garment manufacturer and wholesaler, has been widowed for two years. His older spinster sister, Evelyn Kingsley (Edith Meiser), moved in with him in his apartment following Jerry's wife's passing to take care of him, she who has always assumed the role as family caregiver. One of Jerry's married daughters, 25-year-old Lillian Englander (Joan Copeland), believes Evelyn has a neurotic fixation on Jerry, Lillian unaware that her own fixation on her father is just as strong. Evelyn tries to arrange dates for Jerry, primarily with lonely widows, something he resists in wanting to find a woman on his own despite his own loneliness. Unlike his married business partner, 59-year-old Walter Lockman (Albert Dekker), who is always chasing after "tootsies" and "floozies," Jerry wants someone to love. After learning her story, Jerry thinks he's found the woman in Lock Lee's 24-year-old receptionist, Betty Preisser (Kim Novak). Betty, who never had much parental guidance, recently got divorced from her musician husband, George Preisser (Lee Philips). There had always been a strong physical attraction between Betty and George, but nothing that she would now consider love. Betty is an extremely sad and confused woman, admits that she misses George, but doesn't want to get back together with him, she needing the antithesis of George as the person in her life at this point in time. Jerry and Betty enter into what ends up being a turbulent May-September relationship, their issues based on their own insecurities: Jerry, who realizes that his love for Betty is illogical due to the differences in their ages, admits he will always have pangs of jealousy in believing that she will be more physically attracted to men her own age; and Betty doesn't know if what she feels for Jerry is love or just a sense of being protected, something she never felt with George. Regardless, they decide to get married. That announcement opens up their relationship to the scrutiny of his family and friends, her family and friends, and their co-workers. The situation gets even more complicated when George reenters Betty's life. The questions then become if Jerry and Betty's relationship can withstand all these pressures, or if there is a factor or factors that will show them that their relationship makes sense at this point in their respective lives. Written by Huggo |
Plot Keywords | |
Taglines | The Shocking Hit Play Electrifies the Screen! See more » |
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Parents Guide | Add content advisory for parents » |
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Box Office
Budget | $1,000,000 (estimated) |
Did You Know?
Trivia | Kim Novak considers this her best performance. See more » |
Goofs | In the last scene in Jerry's apartment, the camera pulls too far back; several pieces of tape, indicating marks for the actors and furniture, are clearly visible on the carpet. See more » |
Movie Connections | Featured in Kim Novak: Live from the TCM Classic Film Festival (2013). See more » |
Quotes |
Walter Lockman:
And when they bury me, they can put on the gravestone, 'His was a big waste of time.' See more » |