Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins hasn't paid his back taxes. Charlton has to stay for a day to try to estimate the income from the farm, but ... See full summary »
Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk and Melvin soon offers to do a photo spread... See full summary »
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
Nine months after they split up Bob and Mary meet at his New York apartment to sort out some tax matters. He's getting married to healthy-eating Tiffany as soon as the divorce becomes final... See full summary »
After 17 years, things have got too predictable and stale. They argue, they visit a marriage counselor, Richard (drunk) visits a prostitute. They split up. After meeting other people, they ... See full summary »
Dick Van Dyke,
Photographer Grif Henderson is assigned a photo shoot in Paris. He decides to take his wife, Jenny, and his hippie son, Davey, with him on the shoot. Everything gets mucked up when she ... See full summary »
At breakfast, Jane announces that she and Ralph are getting married the next week. All Jane and Ralph want is a small wedding with the immediate family and no reception. This is because ... See full summary »
Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins hasn't paid his back taxes. Charlton has to stay for a day to try to estimate the income from the farm, but it isn't easy to calculate when the farmer has such a lovely daughter, Mariette... Written by
This was Paul Douglas' last film. He died in 1959 of a heart attack, the same year it was made. He was born in 1907, making him 52 when he made this film. He had been offered a starring role in Billy Wilder's 1960 comedy, The Apartment, but the role was given to Fred McMurray after Paul Douglas passed away. See more »
[referring to a pig the family borrowed for breeding that is being returned]
Why's he have to be so ornery?
Well you'd be ornery, too, if they took you away from your sweetheart.
Not if she was a pig, I wouldn't.
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Energetic romp overseen by that veteran of slapstick George Marshall. This is not his best, but he does keep things moving. Enjoyable for the most part if you can get past owlish Tony Randall as the answer to a maiden's dream (Debbie Reynold's). He certainly looks the part of an IRS collections tiger, but it's a stretch in the romance department. Lots of barnyard innuendo as earthy farmer Paul Douglas and his obstreperous family manage a living outside the money economy. He barters things in shrewd fashion, while enjoying life's simple pleasures. That is, until snobby neighbor neighbor Philip Ober sics the IRS on him in an attempt to grab his property after Douglas refuses to sell.
Really clever premise, with a provocative subtext that pits the older agrarian way of life against the modern complexities. Bureaucrat Randall must collect a lifetime of back taxes from throw-back Douglas who, of course, has never dealt in money. But Randall, all officiousness, has never encountered the likes of the artful farmer and his bursting-with-life family that keep him perpetually off-balance. At the same time, comely daughter Reynolds works her wiles in typical spirited fashion. Some funny set-ups, especially when the barnyard critters turn on the hapless bureaucrat.
However, some of the slapstick goes on too long for my liking, suggesting that Marshall is indeed past his prime. Nonetheless, Douglas is near perfect as the good-natured hick, while Reynolds manages the spunk without too much excess. Look for outlaw biker Bill Smith as a muscle-bound rowdy, and of course the great Fred Clark in one of his typical bah-humbug roles. All in all, there are some genuine guffaws, but in some ways the movie is more interesting than anything else. Come to think of it, comedy aside, the movie can be viewed as a must-include at any hippie or Libertarian film retrospective.
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