| Anthony Steel | ... | Kit Kelly | |
| Ludmilla Tchérina | ... | Anna | |
| Antonio | ... | Antonio | |
| Léonide Massine | ... | 'Der Geist' | |
| Rosita Segovia | ... | Rosita Candelas | |
| Carmen Rojas | ... | Lucia | |
| María Gámez | ... | Pepe Nieto | |
| Diego Hurtado | ... | Pepe Nieto | |
| Juan Carmona | ... | Pepe Nieto | |
| María Carla Alcalá | ... | Soloist (ballet: El Amor Brujo) | |
| rest of cast listed alphabetically: | |||
| José Nieto | |||
| Cesáreo González | ... | Luis Escabar (uncredited) | |
| Michael Powell | ... | Guide Describing the Lovers of Teruel (voice) (uncredited) | |
| Jaime Prades | ... | Edgar Neville (uncredited) | |
| Pastora Ruiz | ... | A Sorceress (ballet: El Amor Brujo) (uncredited) | |
Directed by | |||
| Michael Powell | |||
Writing credits(in alphabetical order) | ||
| Luis Escobar | screenplay | |
| Luis Escobar | story | |
| Gregorio Martínez Sierra | ballet El Amor Brujo | |
| Michael Powell | screenplay | |
| Michael Powell | story | |
Produced by | |||
| Judith Coxhead | .... | associate producer | |
| Cesáreo González | .... | producer | |
| Bill Paton | .... | associate producer | |
| Michael Powell | .... | producer | |
| Sydney Streeter | .... | associate producer | |
Non-Original Music by | |||
| Manuel de Falla | (from "El Amor Brujo") | ||
| Mikis Theodorakis | (from ballet "Los Amantes de Teruel") | ||
Cinematography by | |||
| Georges Périnal | |||
| Claude Renoir | |||
Film Editing by | |||
| Peter Taylor | |||
| John Victor-Smith | |||
Production Design by | |||
| Durán Camps | |||
Art Direction by | |||
| Ivor Beddoes | |||
Set Decoration by | |||
| Francisco Rodríguez Asensio | (setting) | ||
Costume Design by | |||
| Ivor Beddoes | |||
Production Management | |||
| Jaime Prades | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ricardo Blasco | .... | assistant director | |
Art Department | |||
| Roberto Carpio | .... | assistant art director | |
| Judy Jordan | .... | assistant art director | |
| Eduardo Torre de la Fuente | .... | assistant art director | |
Sound Department | |||
| Fernando Bernáldez | .... | sound | |
| John Cox | .... | sound supervisor | |
| Janet Davidson | .... | sound editor | |
Camera and Electrical Department | |||
| Gerry Turpin | .... | associate photographer | |
| Bill Wall | .... | chief electrician | |
Music Department | |||
| Thomas Beecham | .... | conductor | |
| Angela Morley | .... | musical director (as Wally Stott) | |
| Leonard Salzedo | .... | music arranger: de Sarasate (uncredited) | |
Other crew | |||
| Antonio | .... | choreographer: ballet "El amor brujo" | |
| Ronald Cross | .... | technicolor technician | |
| Rafael Durancamps | .... | sets, ballet: el amor brujo | |
| Léonide Massine | .... | choreography, ballet: los amantes de teruel | |
| Samuel Menkes | .... | production secretary | |
| George Minassian | .... | technicolor technician | |
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| The Red Shoes | The Tales of Hoffmann | The Men in Her Life | Isadora | Million Dollar Mermaid |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
Before the restoration it was like a travelogue with a few dance sequences.
Now that it's been restored (by Charles Doble) it is like a totally different film. Much better balanced than in previously seen versions where much of the story & the ballets were cut leaving it as little more than a travelogue. The flamenco between Antonio (I) and Carmen Rojas is the sexiest dancing I've ever seen on screen.
However, it does still show the lack of Emeric Pressburger. There are plot holes here & there and nobody can work out why Anthony Steel is there.
But do try to see it, preferably on the big screen (CinemaScope) that it was made for and makes good use of.