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IMDb > Les liaisons dangereuses (1959)

Les liaisons dangereuses (1959) More at IMDbPro »

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Overview

User Rating:
6.6/10   378 votes
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Director:
Roger Vadim
Writers:
Claude Brulé (adaptation)
Choderlos de Laclos (novel)
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Contact:
View company contact information for Les liaisons dangereuses on IMDbPro.
Release Date:
18 December 1961 (USA) more
Genre:
Drama more
Plot:
Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both... more | add synopsis
User Comments:
La Marquise de Merteuil... more

Cast

  (Complete credited cast)
Jeanne Moreau ... Juliette de Merteuil
Gérard Philipe ... Vicomte de Valmont
Annette Vadim ... Marianne Tourvel
Madeleine Lambert ... Mme Rosemonde
Jeanne Valérie ... Cécile Volanges
Nicolas Vogel ... Jerry Court
Boris Vian ... Prévan
Gillian Hills ... Une amie de Cécile
Paquita Thomas ... Nicole
Jean-Louis Trintignant ... Danceny
Simone Renant ... Mme Volanges
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Additional Details

Also Known As:
Dangerous Liaisons 1960
Dangerous Love Affairs (USA) (promotional title)
Les liaisons dangereuses (UK)
Les liaisons dangereuses 1960
Relazioni pericolose (Italy)
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Runtime:
Germany:95 min | USA:106 min | Argentina:105 min
Country:
Italy | France
Language:
French
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)

Fun Stuff

Movie Connections:
Referenced in Le fantôme d'Henri Langlois (2004) more

FAQ

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5 out of 10 people found the following comment useful:-
La Marquise de Merteuil..., 18 September 2005
Author: dbdumonteil

Among all Vadim's duds,"les liaisons dangereuses " seems to have stood the test of time better than the other "works" of the director.The reason is to be found in the cast.Gérard Philipe -though largely overshadowed by John Malkovich in Frears's version -and mainly Jeanne Moreau are earnest thespians and you cannot be wrong with them.And Roger Vailland and Claude Brulé had a good idea for the conclusion:fire instead of smallpox allows us to hear Laclos's immortal line "She's wearing her soul on her face!"

Objections to this early version -to be followed by half a dozen of them- remain:that the story should have been transferred to the sixties is eminently questionable:La Merteuil was a definitely modern original character in Choderlos de Laclos's times ;in 1960,such a woman's behavior had become banal.Vadim would do worse when he would transfer Zola's "la curée" to his era.

Proof positive that all that glittered in the nouvelle vague was not gold.

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