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The Last Angry Man (1959)

TV-PG  |   |  Drama  |  February 1960 (Austria)
7.1
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Ratings: 7.1/10 from 519 users  
Reviews: 19 user | 5 critic

An aspiring journalist's story of his aged uncle doctor leads to the uncle's life being profiled on TV.

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(screenplay), (adaptation), 1 more credit »
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Title: The Last Angry Man (1959)

The Last Angry Man (1959) on IMDb 7.1/10

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Nominated for 2 Oscars. Another 2 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Woodrow Thrasher
...
Anna Thrasher
...
Dr. Max Vogel
Claudia McNeil ...
Mrs. Quincy
Joby Baker ...
Myron Malkin
...
Alice Taggart
Nancy R. Pollock ...
Sarah Abelman
...
Josh Quincy
Robert F. Simon ...
Lyman Gattling
Dan Tobin ...
Ben Loomer
...
Girl Left on Porch
Godfrey Cambridge ...
Nobody Home
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Storyline

As the fiercely dedicated general practitioner who tries to help the sick, the poor and the unfortunate in his decrepit neighborhood, Paul Muni is the testy old man who faces life without compromise and David Wayne is the troubled television executive fighting to preserve his career. Written by alfiehitchie

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

February 1960 (Austria)  »

Also Known As:

Der Zorn des Gerechten  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Paul Muni's final film. See more »

Quotes

Dr. Sam Abelman: We owe him something, Woody, as rotten as he is.
See more »

Connections

Remade as Dr. Max (1974) See more »

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User Reviews

 
Modern themes contrast with bygone era characters and settings
27 August 2012 | by See all my reviews

The Last Angry Man explores the themes of living with integrity and not being corrupted or co-opted by the world's materialism. Paul Muni plays a Jewish doctor living in a Brooklyn neighborhood that has, to use a euphemism, changed. He continues to treat the neighborhood's residents for minimal fees, including a very young Billy Dee Williams, who plays a gang-banger, angry at the world, who Muni believes has a brain tumor.

Muni's nephew is an aspiring journalist who is caught up in glitz and glamor. When Muni saves the life of a young black woman who has been dumped on his doorstep after an assault, his nephew senses an opportunity and writes the story in the newspaper. A television producer picks up on it and sees profiling Muni on his new television program as his ticket to fame.

Muni's character is really too complex to portray completely in this film, but the interplay between the doctor and his patients portrays him as both compassionate and moral. He relates on a spiritual level to the character Billy Dee Williams plays, sensing that both of them are rebelling in their own ways against injustice and abuses of power. Dr. Abelman's last act is to visit Williams in jail rather than proceed with his greatly anticipated television appearance, reinforcing his determination to live a life of integrity and in the words of Thoreau (an author quoted frequently throughout the film), "march to the beat of a different drummer."


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