A British woman trying to escape Hungary with her freedom fighter lover finds herself the obsession of a Communist officer.

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Cast

Cast overview, first billed only:
...
Diana Ashmore
...
Major Surov
...
Paul Kedes (as Jason Robards Jr.)
...
Hugh Deverill
...
Harold Rhinelander
...
Margie Rhinelander
...
Billy Rhinelander (as Ronny Howard)
Flip Mark ...
Flip Rhinelander
...
Csepege
David Kossoff ...
Simon Avron
...
Teklel Hafouli
Marie Daëms ...
Françoise Hafouli (as Marie Daems)
...
Eva
Barbara von Nady ...
Borbala (as Barbara Von Nady)
Maurice Sarfati ...
Jacques Fabbry
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Storyline

Budapest 1956. A group of Westerners try to leave the city when Soviet military occupy the country. But the airport is closed down and they have to take a bus to the border. At the border they are stopped by red tape - and Major Surov. The reasons are sketchy, but it seems that the major is romantically interested in one of the westerners, Diana Ashmore. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

A tempestuous new love story for the stars of "The King and I"! See more »

Genres:

Drama | History | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

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Release Date:

11 February 1959 (Japan)  »

Also Known As:

Crepúsculo Vermelho  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to USA Today (Dec. 9, 2008), this was Ron Howard's screen debut, as well as Jason Robards'. See more »

Goofs

Soviet troops are shown using U.S. equipment such as M4 Sherman tanks and jeeps. During World War II the Lend-Lease program sent over 4,000 Shermans to the USSR, some 400,000 trucks and jeeps, and many other vehicles, including the M5 half-track (which are seen in photos of the 1956 Soviet takeover of Hungary.) Nearly all of this equipment was still in Soviet use in 1956. See more »

Quotes

Diana Ashmore: [Dancing with the Major] You're drunk!
Major Surov: Yes, I am. And it's marvelous! Half my life I've been a soldier. Five campaigns, four scars, a shattered hip. And all that time, the Army's been my wife. A mean, old, possessive, insatiable, glorious bitch! And tonight I am cheating on her. And it's wonderful. Like picking flowers on a battlefield!
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Connections

Referenced in Diner (1982) See more »

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User Reviews

 
Very realistic film
27 April 2006 | by (United States) – See all my reviews

Set during the Hungarian Revolution of 1956, this story has all the suspense of a good cold war book or movie as a multinational group of foreigners attempt to smuggle Jason Robards out of Hungary into Austria. However, three things complement the story, making this an extremely good movie.

First, the actors use the actual languages of their roles. The Russian soldiers speak only Russian; the Hungarians only Hungarian; the Germans only German, except to the minimal extent to tell the story. Since Debra Kerr is English, she speaks only English, and, of course, Yul Brynner and a few others essential to the story also speak heavily accented English. As a result, the empathy of the audience to the travelers becomes paramount. The viewer shares all the confusion and suspense of being involved in an illicit border crossing when he/she cannot understand any of the languages spoken around them. Very powerful feelings are aroused in the audience, and notwithstanding the heavy use of foreign languages, the audience is never at a loss for following the film. No subtitles are necessary.

Second. I was in Hungary in 1995, and I'm telling you, this movie has it right on. From the gypsy music overpowering the dinner meal to the underground caverns in the buildings where much of the action takes place to the village scenes, the realism is incredible. If I didn't eat in the actual restaurant in the movie, I ate at its double. I thought that I actually walked down the main street in that village. (Actually, the film was shot in Austria).

Third, and most important, this movie reunites Deberah Kerr and Yul Brynner (after The King and I) and the magnetism between them as the story unfolds is nothing short of Oscar qualified. Of course, Yul already received an Oscar for playing that relationship, so the Acadamy wasn't going to give him another one, but that is the quality of the film. Don't miss this one.


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