Budapest 1956. A group of Westerners try to leave the city when Soviet military occupy the country. But the airport is closed down and they have to take a bus to the border. At the border ... See full summary »
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Budapest 1956. A group of Westerners try to leave the city when Soviet military occupy the country. But the airport is closed down and they have to take a bus to the border. At the border they are stopped by red tape - and Major Surov. The reasons are sketchy, but it seems that the major is romantically interested in one of the westerners, Diana Ashmore. Written by
Mattias Thuresson
During filming, Yul Brynner's hand was cut by a former crazed lover who traveled across Europe to find him. There are scenes where Brynner's bandaged hand is not shown on screen and there scenes where he is holding a prop to camouflage the hand. See more »
Goofs
In the final scene, as the camera dollies back from Major Surov's jeep, a camera/equipment shadow is visible on the jeep's right front tire. See more »
Quotes
Diana Ashmore:
[Dancing with the Major]
You're drunk!
Major Surov:
Yes, I am. And it's marvelous! Half my life I've been a soldier. Five campaigns, four scars, a shattered hip. And all that time, the Army's been my wife. A mean, old, possessive, insatiable, glorious bitch! And tonight I am cheating on her. And it's wonderful. Like picking flowers on a battlefield!
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a great movie, with a rather unclear political message. it´s shot in a theatrical style, i.c. most of the action takes place inside. mayor surov and diana ashcroft seem equally suspicious of each other. emotions run high since the western tourists and business-people seem unwilling and unable to yield to the eastern-russian charm of the mayor, although he makes every effort to understand their point of view. the two opposite world-views are made pointedly clear, but the movie also shows that human emotions cannot be controlled by politics. its powerfully acted and has a high emotional impact for a 50s movie.
8 of 11 people found this review helpful.
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a great movie, with a rather unclear political message. it´s shot in a theatrical style, i.c. most of the action takes place inside. mayor surov and diana ashcroft seem equally suspicious of each other. emotions run high since the western tourists and business-people seem unwilling and unable to yield to the eastern-russian charm of the mayor, although he makes every effort to understand their point of view. the two opposite world-views are made pointedly clear, but the movie also shows that human emotions cannot be controlled by politics. its powerfully acted and has a high emotional impact for a 50s movie.