During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the ... See full summary »
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. But Ember's once powerful generator is failing ... and the great lamps that illuminate the city are starting to flicker.
Prof. Lindenbrook leads his intrepid party on an expedition to the center of the earth, via a volcano in Iceland, encountering all manner of prehistoric monsters and life-threatening hazards on the way. Written by
Mark Hockley <email@example.com>
Pat Boone didn't want to make this film but was talked into it by his agent. Years later he stated he's glad he did it because of the regular residual checks it brings in and because it's the movie he'll probably be best remembered for. See more »
The fabled Atlantis was not a lost city, but a lost continent. See more »
I can attest to the feelings expressed by the last couple commentators about 1959's "Journey To The Center Of The Earth." This is a wonderful family film from the bygone Eisenhower-era of the 1950s. Even though I've been watching it on TV since I was a kid in the sixties, I'd only seen pan&scan versions, and it wasn't until I got it letterboxed on laserdisc that I finally saw what a big-screen entertainment this movie was meant to be. It has wonderful scope and a score by Bernard Herrmann that takes you right down into the bowels of the earth. Listen to it and you'll notice what I mean, as the movie progresses the music keeps going into a lower and lower register. Five organs were used, including one meant for a Cathedral. (The complete original recordings of the score are available on CD from Varese Sarabande.) This movie also has the great James Mason in it, so you know it's got to be good. Sure it's long in the telling and takes a while to get you down that extinct volcano in Iceland, but it's fun all the way with great special effects work by L.B. Abbott and matte paintings by Emil Kosa Jr. The only way to watch this movie is in wide-screen and it's long past due that 20th Century Fox puts this out on DVD in a letterboxed anamorphic transfer. Let's hope that they do it soon.
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