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Prof. Lindenbrook leads his intrepid party on an expedition to the center of the earth, via a volcano in Iceland, encountering all manner of prehistoric monsters and life-threatening hazards on the way. Written by
Mark Hockley <firstname.lastname@example.org>
When Alec walks alone over a rock bridge, a dislodged chunk falls away silently. When Alec tries to backtrack over it, two more chunks break away, but this time both pieces make splashes as they hit a phosphorescent pool distantly below. See more »
Here's to the prof of geology. Master of all nat'ral history. Rare boy he, and rare boys we, To know such a big curiosity.
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Science fiction epic, quite ambitious for its day, and terrifically entertaining.
Based fairly faithfully on a classic sci-fi novel by Jules Verne, Journey To The Center Of The Earth is an inventive, splendidly-realised, smartly acted film. It must have been quite an ambitious undertaking in 1959 to try to make a film set predominantly in a mysterious, unexplored underground realm populated by fantastic creatures and filled with a host of weird 'n' wonderful sights. However, the makers have done a great job in tackling this enormously challenging source material.
A Scottish scientist, Prof Oliver Lindenbrook (James Mason) discovers that a fellow scientist recently tried to find a route to the centre of the earth. Determined to venture down the same route, Lindenbrook puts together an ambitious expedition consisting of his nephew Alec (Pat Boone), widow Carla Goetaborg (Arlene Dahl), silent but loyal guide Hans (Peter Ronson), and a duck named Gertrude. The foolhardy team begin their descent among the craggy crevices of an Icelandic glacier, and as they make their way into the bowels of the earth they make many a wondrous discovery, from mammoth-sized mushrooms to fearsome prehistoric monsters.
The film is well-paced and thoroughly entertaining. On the whole, the performances are good (Boone is a little too clean-cut, as usual, but he does all right) and the special effects are excellent for their time. Bernard Herrmann provides a crashing music score, and the set design is absolutely tremendous. This is a classic sci-fi film, and any serious fan of sci-fi movies would be a fool to miss it.
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