Set at the Newport jazz festival in 1958, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational ... See full summary »
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time ... See full summary »
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between ... See full summary »
'Lee' George Quinones,
Fab 5 Freddy
Documentary on the life of jazz trumpeter and drug addict Chet Baker. Fascinating series of interviews with friends, family, associates and lovers, interspersed with film from Baker's ... See full summary »
Set at the Newport jazz festival in 1958, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational music to Gospel. It's a concert film that suggests peace and leisure, jazz at a particular time and place. Written by
Features one of the rare film appearances of two of the greatest jazz artists of all times: New Orleans-born trumpeter Louis Armstrong and Texas-born trombonist Jack Teagarden. When Armstrong formed his six-piece All Stars in 1946 Jack, who was white, was asked to join. The obvious affection these two great performers felt for each other's singing, clowning and playing is particularly evident in their classic performance of "Old Rocking Chair." After Armstrong was invited to return his home town after many years away, he insisted Teagarden join him on the stage. The city refused to let a white man and a Negro play together. Armstrong eventually returned to his native New Orleans, and performed at the very first New Orleans Jazz Festival. Coincidentally, along with Mahalia Jackson- his costar in this film. See more »
I agree with the other review almost completely, except just to point out that the scene mentioned above does not feature Fred Katz. Rather, it's Nathan (Nat) Gershman, who succeeded Katz in the cellist chair in 1958...
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