When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as ... See full summary »
A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancee, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think ... See full summary »
Edward G. Robinson
Shortly before the start of the American Civil War rebel Kansas leader Luke Darcy dreams of a new independent Republic of Kansas. His vigilante group is called The Jayhawkers and their mission is to end slavery by force. However, Darcy uses The Jayhawkers for his own bid for absolute control of Kansas. Darcy's actions do not sit well with the military governor of Kansas, William Clayton, who wants Darcy captured and brought to justice. For this purpose the governor hires an ex-renegade rebel, Cam Bleeker, to join Darcy's group and capture their leader. Bleeker has a personal reason for wanting to see Darcy hanged. Darcy was responsible for Bleeker wife's death while Bleeker was in prison. Written by
Several references in the movie are made about "Missouri Redlegs." The paramilitary unit known as the "Redlegs" were actually formed of Kansas men, and were also called "Jayhawkers." The Missouri raiders that came into Kansas were called "Bushwhackers." See more »
A fun to watch western containing Fess Parker's best performance, the show is stolen by Jeff Chandler's performance as the baddie you hate to see taken down. However, as outstanding as Chandler is, the real star of the film is Jerome Moross' pulse-pounding score, which predates his legendary music for THE BIG COUNTRY. It's every bit as good, if not better. Henry Silva is (of course) scuzzy as a hired gun.
Catch it. Any western fan won't regret it.
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