A German architect runs away with the maharajah of Eschnapur's fiancee but is caught and thrown in the dungeon, while his relatives arrive from Europe looking for him and the maharajah's brother is scheming to usurp the throne.
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barter's death in a vision. But a dark force ... See full summary »
"Journey to the Lost City" is not a specific film by Fritz Lang but the combination of Der Tiger von Eschnapur (1959) with its sequel The Indian Tomb (1959), done in 1960 by American International Pictures.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them pass invoking traditional hospitality. A spider weaves a web so the trackers won't look for them in a Shiva temple, but she is caught outside, he left for dead after a steep fall into a crocodile-infested water. Meanwhile his sister Irene and brother-in-law Dr. Walter Rhode, the architect who refuses to build a tomb to bury Seetah alive for scorning the ruler's love before the hospital he was asked for, guess the truth, and try to make their assigned Indian servant Asagara talk, who dreads incriminating his sovereign. She can't believe Chandra's claim Harald was killed on a tiger-hunt, and the architect finds the bloody shirt he produces doesn't have the button she mended. Prince Ramigani plots seizing Chandra's throne with rajah Padhu, courtiers and the corrupt General Dagh, as soon as Chandra ... Written by
The movie's Greek version title ("O Tafos tou Indou") is the nickname given to the indoor sports hall of the Greek club Panathinaikos. It was due to the similarity of the stairs of the tomb depicted in the movie with those of the hall that a connection was made. The hall was inaugurated in 1959, the year that the movie was released. See more »
Based on an original story by Thea Von Harbou made famous by Richard Eichberg. See more »
The second part of "der Tiger von Eschnapur" begins with a de rigueur summary .Although it's the same movie divided into two for business concern,"das Indische Grabmal" surpasses its predecessor and makes it sometimes look like a trailer.
All promises are fulfilled ;Everything Lang threatened to achieve in "der Tiger " materializes here.Here the two worlds (the luminous world of the maharajah and the subterraneans where the darkest secrets are hidden ) play an equal part .How can't we think of "Metropolis" when the lepers come up the stairs and force their way in the light of day?The maharajah is much more than a comic strip character here.He appears as a tortured man -the actor who plays this monarch is actually a German one,the one who plays count Andrassy is the "Sissi" saga-.Little by little ,we discover that he's in fact the real hero of the story-Mercier is absent during an hour in this part-:his evolution is downright intriguing .At the end of the story he found peace of mind in a completely unexpected way.
Remarkable scenes :the spider that spins its web and thus protects the lovers;their enemies seen behind this providential shield.Paget's erotic dance in front of the snake (which echoes to the long scene in the first part when Mercier watches her dancing).And mainly, mainly,these labyrinthine subterraneans which may represent the dark side of the mind .The two worlds (he said that in "die Nibelungen" (1924),there were four worlds!) are a permanent feature in Lang's canon:of course "Metropolis " springs to mind.But think of the underworld of "M";the double life of Andrews in "beyond a reasonable doubt" ;the child's world and the adults' one in "Moonfleet";the "normal "side of life and the secret one beyond the door in the eponymous movie;real life and dream (but where is the frontier?) in "woman in the window" .
Fritz Lang's holiday homework is actually his testament.He would do one more movie ("die tausend Augen des Doctor Mabuse"),but it seemed that,like his hero,he had found peace of mind in this movie.You can forget,unless you're a highbrow,his part in Godard's notorious "le mépris".
Like John Huston or Joseph Mankiewicz ,Lang finished his career brilliantly.
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