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Imitation of Life (1959)

Not Rated | | Drama | 30 April 1959 (USA)
An aspiring actress befriends a black widow, but trouble arises when the latter is rejected by her daughter, who tries to pass for white.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 2 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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David Edwards
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Karin Dicker ...
Terry Burnham ...
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Young Man
Lee Goodman ...
Photographer
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Showgirl
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Frankie
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Annette
David Tomack ...
Mr. McKenney
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Storyline

Aspiring actress Lora Meredith meets Annie Johnson, a homeless black woman at Coney Island and soon they share a tiny apartment. Each woman has an intolerable daughter, though, Annie's little girl Sarah Jane, is by far the worse. Neurotic and obnoxious, Sarah Jane doesn't like being black; since she's light-skinned (her father was practically white), she spends the rest of the film passing as white, much to her mother's heartache and shame. Lora, meanwhile, virtually ignores her own daughter in a single-minded quest for stardom. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

"I'll get the things I want out of life, one way or another...from one man to another!" See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 April 1959 (USA)  »

Also Known As:

Imitación de la vida  »

Box Office

Budget:

$2,000,000 (estimated)

Gross:

$13,990,819 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (Westrex Recording System)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Universal borrowed costume designer Jean Louis from Columbia for the film. See more »

Goofs

The type of desk telephone in Robert Alda's 1947 office was not developed until the mid-1950s. See more »

Quotes

Annie: I'd be happy knowin' you're meetin' nice young folk...
Sarah Jane: Busboys! Cooks! Chauffeurs!
[Hmph]
Sarah Jane: Like Hawkins. No thank you; I've seen your "nice young folk".
Annie: I don't wanna fight with you, honey. Not tonight. I don't feel too good. While I get started on the anchovies, will you take this tray in to Miss Lora and her friends?
Sarah Jane: [sarcastic] Why, certainly. Anything at all for Miss Lora and her friends.
See more »

Crazy Credits

Juanita Moore, who plays Annie, is billed with the credit "And Presenting Juanita Moore as Annie Johnson", even though she had already appeared in many films. See more »

Connections

Version of Imitation of Life (1934) See more »

Soundtracks

Imitation of Life
Words by Paul Francis Webster
Music by Sammy Fain
Sung by Earl Grant
See more »

Frequently Asked Questions

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User Reviews

 
canned goods as caviar: Sirks last masterpiece.
8 May 2005 | by (warren michigan) – See all my reviews

For a long time Douglas Sirk was dismissed by all but he most insightful critics. It was thought that he made a series of well crafted, well acted, but ultimately empty"weepies"(as well as "americana" films, a swashbuckler( Captain Lightfoot), a revisionist western( Taza Son of Cochise),and a sandals and toga epic(Sign of the Pagan.)

However, the "weepies" have been reevaluated( and the Americana films may be reevaluated as well).Sirk is now seen as one of the most significant American directors of the fifties, and, perhaps, as one of the hundred greatest directors of all time. Imitation of Life was his last Hollywood pictures, and one of his best. I call this film, "Canned goods as caviar", because it is an example of taking a "low brow" genre and transforming it into art. Sure, the music is melodramatic, sure the performances by Gavin and Turner are somewhat contrived), sure, the story is campy, but Sirk in his genius transforms melodrama into a scathing critique of materialism, conformity, and racism. Sirk was no cynic, but a rigorous moralist-a superbly educated and sensitive man, steeped in European and American literature.

One of the most astonishing-and misunderstood- elements in this picture is the incandescent performance by Juanita Moore. Moore achieves what is almost impossible; she portrays human goodness. Ican rarely think of a time when an American film has more saintly, more purely Christian figure.


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